Showing posts with label blues. Show all posts
Showing posts with label blues. Show all posts

Monday, May 20, 2024

may gloom, june bloom!

Goodbye May gloom, hello June bloom! Looks like even the weather's trying to keep up with my mood swings. What can I say, I'm feeling kind of blue. But this too, shall pass.

Here we are in May. Six months from now we will have a new American President. I think Trump will actually win the election. The court cases and the sensational news about it, every excruciating detail even the stuff about Stormy Daniels, has somehow made Trump even stronger. I think his base are more fired up than ever, and they're around me everyday at the supermarket. Woe is me. Hopefully violence doesn't break out. 

Why I think this. Well, for starters, I think Biden has alienated a lot of his base. People like me, young people, people of culture who vote and think and read and have jobs and families, people who usually always vote democrat, I think Biden has really messed with this set of peoples. However, I think one part of his base that will remain loyal to him no matter what is black women, a large portion of the democratic base. 

I don't want Biden to be President, and I think he's doing a disservice to the world community by funding and sending arms to Israel to use against the war in Gaza, but to be fair, what it really has become, is the Israeli military beating and blowing up Gazan civilians and destroying their infrastructure, now leading to famine. 

I think the outrage and disgust against this war will ultimately result in the loss for the democrats and lead to the takeover of America by the republican party, sponsoring Trump to rule as a fascist despot in the guise of a republican party leader. Almost like some bad nazi won the war movie. That's worst case scenario. And I know you know and think that Americans don't want this. But what if they 0 don't consider swing voters enough 1 don't show up to vote 2 vote for trump 3 end up being okay with being run by a fascist despot, because after all 1 i got mine and 2 those other people don't matter and 3 they should work harder. These are things you've got to think about if you're being realistic. 

Next, the pressing issue of people in today's society and culture. Now, it seems to be that most people out there are not taking care of business. Your parents aren't taking care of business, your managers aren't taking care of business, your friends aren't taking care of business, you have to take care of business yourself. 

So this means you can't just turn on, tune in, and drop out like Timothy Leary. Although many of the older American friends of mine have turned on to this decadent hippie lifestyle. What they'll do is find a way to finance themselves in the easiest way possible, barely work, have a house for them and a girlfriend/wife, and just coast while drinking a lot and perhaps indulging in some occasional recreational drug use. 

Keep in mind I work at a supermarket so I can see and tell you that there alcoholics that come to me to purchase liquor everyday at the same times and they're hardcore alcoholics and it's like a way of life to these people. They come to me to ring it up every time possibly because they think I won't judge them as harshly as the other cashiers, I'm known to be something of a Papa Genu. 

My point; when you have a society, an entire culture wasted by alcohol and recreational drugs like marijuana and cocaine, you have a recipe for mental health disaster. We have not reaped the benefits of the so-called acid generation. In fact, they're a big part of the problem since the 1960s. I'm not saying the conservatives were right, but I'm saying there's been a big problem with the entire liberal agenda, the entire scene, it's all wrong-headed and stupid, and has contributed to moral hazard. 

After all, I am a moral conservative. But one that isn't closeminded to change or adaptation to change. I think change is a big part of the culture, history, society, and government of the United States. I think one of the biggest problems in America today is that we aren't open enough to change. How can you explain the fact that its election 2024 Biden versus Trump yet again. These guys have one foot in the grave and we're giving them a chance to run for president yet again? What does that tell you about us, as a society, as a people, as a culture? 

We live in a society where the culture goes anyway the wind blows. A pop culture, where the average student is weaned to become a consumer of almost any type of goods from any country. When you walk down the street or go to businesses there's more often than not, people making a spectacle of themselves for some reason or other. I see it almost every night at work. These are like happenings, but not the good type of happenings like a concert in the park on an afternoon.

The culture has become debased. We have young people tuned in on video games, tiktok, porn, TV, movies, social media, alcohol, drugs, but not really making the money needed to live a better life or the life they want. They don't contribute to the society in any meaningful way expect putting their hard earned money back into the economy, allowing the invisible hand to do what it will. We have so much of everything that it's literally hurting us to the point where people can not and will not think for themselves. 

Every time you get in an argument with your parents, your managers, your friends, your so-called acquaintances, think about why they were angry and think about the fact that they're not taking care of business. Why should you explain yourself to someone who's completely tuned out and isn't taking care of business? So you see there is a sort of hypocrisy there. 

But wait, there's more. There's still hope yet for you. Through change. Change is the total mass retain. By change you will come to who you are, see things for what they are, and hopefully come to some understanding to develop strategies into which you can transform your world, your environment into whatever you want it to be, leading through your own personal example, but also by going in there and breaking things. The right kind of outside character already knows this, the outsider. But not all of us are outsiders, some of us are children of the wasted acid generation, who didn't have a clue and still don't, especially now that they're getting older. 

The last part here is the most important. You have to learn to think for yourself. Question everything, question even what I have written here, question yourself, question your own thoughts and ideas, but keep a reality principal, make sure you understand and know what is real and what is not, learn to become smarter so you can more easily define and compare good and evil. I know this is basic but you would be surprised how many people don't know this because they think doctors, lawyers, parents, wives, girlfriends, or therapists will help them and somehow they'll 'figure it all out.' 

Of course, today, anyone with an iq above 28 is a threat to society and is automatically labeled an outsider, even if he knows it or not. Why? Drugs and alcoholism has taken over critical thinking in the younger classes and disillusionment and powerlessness have overtaken the older generations to the point where most of them are tuned out to the pop culture world and live in a small capsule. 

Is this the end of civilization part III? 

Thursday, November 3, 2022

Speculation Band Rock and Roll Jam



Hello rock and rollers, 

Check out this list of recordings I made on my android phone. The quality isn't the best but its true to the rock and roll spirit. I met a guy at the checkout line at work that wanted to jam with me and this is what we got out of it. I played guitar a bit and played drums a bit, apparently, I'm a drummer too now, and even occasional piano. I do it all, I can even sing while playing drums, super hard sometimes. 

The guitar bits with me on guitar are with Jim's Signature Eddie Van Halen guitar, which he says he got personally from Eddie himself. Well, him telling me that did make me play much better. Check out it. 

https://soundcorset.com/r/lIwPlA-HNs?fbclid=IwAR0MSTg4xQw-1o7RsW6Y2USTP-5mTBjuCOYNT4VJPtFyEAWRk-G-tzj03ag [Speculation band Orlando guitar and Mike on drums/spoken word, played with the signature EVH guitar]

https://soundcorset.com/r/xYrrAAMYzj?fbclid=IwAR2GV6OeZg9rdt3nQK2SqXzCmlykbxhz8u2hS11Lk6UfxnYu214wSsd3U8w [Speculation band Johnny B Goode Orlando drums Mike guitar/vocals]

https://soundcorset.com/r/Qz7I2VzWUL?fbclid=IwAR2-n7VOVIaCcyFZ07NmeFT6BFCMb_3avnsRmx-MekDSNOTtB6hj2GrjNbE [Speculation band metal Orlando guitar, Mike drums, with the EVH signature guitar]

https://soundcorset.com/r/9h-WEVEeqY?fbclid=IwAR16sa_MTa_bTMNB1QB4OHp_xNf_IdH4gM1G9pJ2HSx5p2I4JP-ewoQC4_g [Speculation band Mike guitar/vocals, Orlando drums]

https://soundcorset.com/r/AvXQoK6pCp?fbclid=IwAR2PtgQbUL340Bgs-VYF7Y7_yuAQqYSElWqpg2GZza82xaLT0cXOnzoBL_k [Orlando drum solo]

Keep on rocking in the free world! 

Saturday, May 28, 2022

Spring Can Really Hang You Up The Most

Good evening ladies and gentlemen, 

I haven't written a general what's up blog in a while, so here we go. I'll describe in detail what life has been like on the job, more personal lifestyle details and fun, and the harrowing social current events of our time. 

First, work is getting a lot better. We're getting better pay with the better contract [there was a fight between the union and the company over wages], we seem to have the personnel to run the shifts, and generally, the employees seem to be happier and to be doing better, bit of a caveat there, but for the most part retail grocery is calm this spring season. Not to mention sales are up even though prices have skyrocketed due to inflation. There's actually a noticeable difference in the amount of groceries we're ringing up daily as there's a lot less visibly and physically. People just don't have as much cash right now. Also, only one recorded covid case this month. The guy was horribly sick. He came in one day to tell the bosses he was taking some time off, and his face looked like death. Scary. The threat of covid within the job is still lurking at the corner. 

Second, more personally, I've just been having a blast, living life to the fullest, and loving every minute of it. This goes more to the heart, the capacity of happiness that lies within yourself is more important than actually being happy all the time or often. Remember, it's not happiness that's the main focus, it's your capacity for happiness, meaning, what can you do daily that can ensure that you can increase and/or regulate your capacity for happiness daily? 

For everyone this question is mostly existential. For me I do it by reading books and playing the guitar. For others it might be art, or wrestling, cooking, or football, or cars. You have to really learn to love your life and what you do on a daily basis. The problem is that, especially right now, at this current juncture and state of worldly affairs, its seems that spring can really hang you up the most. Meaning, almost everything out there in the real world [not on a computer or phone screen, not this], has the potential to really bring you down and bum you out. The only real answer to this lies within the last paragraph-the capacity for happiness. 

Lastly, right now things in America are horrible. The recent school shooting has left all of us virtually bruised, beaten, and battered both mentally and physically. We don't need to see the pictures or the livestream to feel the harrowing effects of school children being gunned down by a crazed eighteen year old, the impact of the deaths has hit the virtual reality systems just as much as it has hurt us in the real world. Which brings up the question, when will American politicians stand up to the gun lobby, the NRA? Can we really consider ourselves the good guys of the world, the best country to live in, the most sophisticated, the most everything, if we can't even protect our schoolchildren from being gunned down during class? There's a glaring dilemma here that goes beyond myself, you, the NRA, and the politicians themselves. This goes to the heart of what makes a society of human beings civilized, sophisticated, and safe from harm. Meaning if we can't get this done, maybe we don't deserve to be in charge of what happens to Ukraine or anywhere else in the world. Take care of your home and hearth before going out to police the world. 

https://www.youtube.com/watch?v=vd5VVELfWC8&ab_channel=whoisthisguythen

And for those pointy-headed intellectuals, catch up to what I've been reading on my Goodreads account, https://www.goodreads.com/user/show/56122996-orlando-furioso

In addition, for those interested on reading about what it was like to work retail grocery at the beginning of the pandemic, look no further, check out my covid plague journal here, http://ofigueroamusic.blogspot.com/p/blog-page.html, a compilation of posts about covid, dealing with covid within retail grocery, and within America itself as a young person. 

Monday, May 10, 2021

Live Jazz Performance May 10, 2021!

Here's a livestream performance from this afternoon, featuring Jason Thomas on alto saxophone and Orlando Figueroa, yours truly on electric guitar and effects. It's mostly improv but we also added Miles Davis' Freddie Freeloader into the mix. Thanks for listening! Don't forget to like and subscribe to my YouTube Channel. Stay safe! 

https://www.youtube.com/watch?v=BUi49tbbhRM&ab_channel=MegaFigueroa007

Wednesday, February 10, 2021

Wednesday, December 2, 2020

Live Performance 12/2/2020

This is a live performance from today, 12/2/2020, that took place from 430pm-530pm. Featuring myself, Orlando Miguel Figueroa on guitar and Jason Tomas on alto saxophone. We perform [in order], an untitled composition, Footprints, Freddie Freeloader, Blue Monk, a jam based on a diminished chord, and ending the set with Body and Soul. 

Watch the performance here, https://www.facebook.com/orlando.figueroa.3150/videos/1730748607096466

Thanks for listening and supporting our music. 

The modern improviser refuses to die! 

Monday, November 2, 2020

Keyboard performance

 Hello, 

Today, for the first time ever, I livestreamed and performed on the keyboard in a jam session with my friend, alto saxophone player Jason Thomas. Orlando Figueroa on keyboard and noise. We played a minor blues, Blue Monk, Autumn Leaves, and improvised after the tunes. 

Enjoy, thanks for listening. Don't forget to like and subscribe to my YouTube Channel. 

https://www.youtube.com/watch?v=8LWcw8ouc3o

Wednesday, October 21, 2020

Blues Notes #1

Hello, 

I did another livestream today. We're going to make it a weekly performance. We'll continue to do standards and improv. Enjoy the music. Don't forget to like and subscribe to my YouTube channel. 

Thanks, enjoy 

https://www.youtube.com/watch?v=1ikzDWiTXHc 

Thursday, September 5, 2019

Mr. P.C.

Our rendition of the standard, Mr. P.C., Coltrane's tune written for Paul Chambers, who played with him for years. The tune was on Giant Steps, played with a fast swing feel. It's a minor blues. Enjoy.
https://soundcloud.com/user-294063763/mr-pc-paul-chambers

Saturday, June 8, 2019

End of May Jam Tracks

Hello everyone! Another month has gone by, and I've been playing a lot of guitar. Here are some tracks from the last open mic I played, at the end of May. We're doing the same material I've been doing, however, I like to think I've improved all these tunes a lot. I'm proud of my vocals, not because they are great or anything, but because I've learned a lot about performing rock and roll live through singing whilst playing guitar. We did the Wayne Shorter jazz standard entitled Footprints, and the usual Hey Joe [Hendrix] and Sunshine of Your Love [Cream]. One of the keys to singing slightly better for me was realizing that I should never hit those high notes [lol]. This was a better jam than usual because I got to play with this old timer, a great blues/rock guitar player. Enjoy the music. 

https://soundcloud.com/orlando-figueroa-17/footprints-live-may-20 
https://soundcloud.com/orlando-figueroa-17/hey-joe-live-may-20 
https://soundcloud.com/orlando-figueroa-17/sunshine-of-your-love-live-may-20 

Orlando Figueroa: Guitar/Vocals
Jim X: Drums 
Dan: Bass
Ken: Tambourine
Dave: Harmonica  
Old Timer: Guitar

Thursday, May 23, 2019

May 15 Jam Tracks

Ahoy shipmates and welcome aboard. Here I'd like to share some recordings from last week's open mic at Petie's Place, a local pub in the Valley, located on Reseda and Oxnard. 

I've played there over 40 times. Its become my de facto performance space. With a house drummer and bassist, it's very easy to just get up there and play with no strings attached. 

I did a two-song set that consisted of saxophonist Wayne Shorter's Footprints and Jimi Hendrix's' Hey Joe, tunes I've been playing for a while now. Been really working on my tone for the vocals. I've been practicing singing for a long time. I'm no Jack Bruce but I try. Petie's Place got a much better tube amp Line 6 full-stack amp so my tone has improved a lot. Enjoy! 

https://soundcloud.com/user-294063763/footprints-live-at-peties-1 
https://soundcloud.com/user-294063763/hey-joe 

Guitar, Vocals-Orlando Figueroa
Drums-Jim X
Bass-Art 
Harmonica-Dave
Tambourine-Ken 

Friday, May 10, 2019

Guitar/Harmonica Jazz Quintet Performance

Greetings everyone! I'd like to share some tracks from last week's open mic I played at Petie's Place. I'm a regular performer there as I've played there over 40 times, over almost two years now. This was an unusual performance in the sense that I basically did a jazz set [other than Hey Joe-Hendrix] with a harmonica player. He asked to sit in with us and it turned out to be a great idea. The sound of the harmonica is like a human voice, very soulful, very human. I think my solos are becoming more melodic and thematic in a way. I'm getting a lot more confident about playing jazz. It's a rock and roll bar but its also cool being the one guy who can jazz up the joint, feel me? I wish I gave more solo room for the harmonica player, he sounded great. When he took solos I stopped playing and layed out like a true jazz performance :D
Enjoy the music.

https://soundcloud.com/user-294063763/footprints-live-at-peties
https://soundcloud.com/user-294063763/mr-pc-live-at-peties
https://soundcloud.com/user-294063763/hey-joe-live-at-peties

Jim-Drums
Art-Bass
Dave-Harmonica
Orlando-Guitar
Ken-Tambourine, Shaker

Thursday, April 4, 2019

Purple Haze [Live]

Here's a live rendition of Purple Haze, played and sung by yours truly. With the Petie's Place open mic house band. Petie's Place is a bar in Tarzana, CA that hosts open mic sessions every Wednesday night. This is the first time I've ever done Purple Haze live. Enjoy!

https://soundcloud.com/user-294063763/purple-haze

Orlando Figueroa-guitar, vocals
Art-bass
Jim X-drums 
?-keyboard

Wednesday, October 31, 2018

Blues Concert

Image result for billy flynn bluesOn Sunday, October 28th I went to the b.l.u.e.s bar in Lincoln Park, Chicago. We saw this cool blues band, the Billy Flynn band. Flynn is this older white gentlemen with glasses, who plays a mean blues guitar. He played this semi-hollow body Epiphone or Gibson that had a vibrato arm, whammy bar on it. He had another guitar playing primarily rhythm guitar but took a few solos, a bassist, and a drummer laying down the beat. 

The second guitar player was really good, although his solos weren't nearly as unique or characteristic as Flynns'. The drummer played the same beats for most songs. The bassist had a great tone, playing an Ernieball music man bass. They played a lot of what I would call Chicago blues, meaning that electric city blues with influences from BB King, Albert King, Muddy Waters, and John Lee Hooker, that unique city blues sound. 

Flynn's voice sounds nearly identical to aging Eric Clapton's voice, but I think Flynn is much more nuanced and careful with his guitar licks than say Clapton, who probably plays a lot more than this guy, a Chicago native. A lot of the songs were blues standards but a lot of them were also originals or songs going back to the 50s or 60s that were done by the greats of the blues tradition. 

The b.l.u.e.s bar is this small hole in the wall. Its even smaller and crappier than the bar I perform at open jams here in California. The mens room didn't have a lock, so that was kind of unexpected. The place is quite great though. The cover charge for the show was only $7 and there's no drink minimums. I did buy a Stella Artois which tasted great. There was maybe about 10 people there, the smallest audience I've ever seen for a concert. Well, this was a Sunday night in a college area so that's not too surprising.

I went to a classical and jazz concert during my trip to Chicago. I had to do a blues concert just to see three different genres, plus Chicago is a blues city, it would've been wrong not do see some great live blues. Flynn's guitar playing was inspirational, it takes me back to the roots of my playing, rock and blues. Sometimes all you need is one note to make a difference. 

Chicago blues! 

Monday, September 3, 2018

My Name is Albert Ayler


My Name is Albert Ayler is a fantastic record, sounds of the new thing (I first heard that term from Amiri Baraka's book Black Music), as it appeared early in 1963. This is saxophonist Ayler's debut record, recorded in Copenhagen and first released on the Dutch Debut label. 

Personnel
  • Albert Ayler - tenor saxophone (tracks 3-6), soprano saxophone (track 2), voice (track 1)
  • Niels Brosted - piano (tracks 2-5)
  • Niels-Henning Orsted Pedersen - bass (tracks 2-6)
  • Ronnie Gardiner - drums (tracks 2-6

The album has only three stars on Allmusic but what does Allmusic know? The fact of the matter is that although the band of Europeans (the two Niels) and the one American (Ronnie) is quite the typical straight ahead band, what Ayler does over the usual jazz construct, is create his own sound, playing himself, and creating a wondrous lyrical blues, a shout, a cry, a whisper if you will. This seems to be a response to Coltrane, Ornette Coleman, similar to Archie Shepp and Pharaoh Sanders, other great sax players of that revolutionary musical era. Its great that he went to Europe to play free jazz because his fame wouldn't have gone as far if he stayed in America.

What makes the record especially engaging for me is that well, I love jazz standards. I've heard most of the standards way more than a few times so when he plays all these tunes there's a certain legendary aura to them. I know all the melodies, all the chord changes, and when he plays what is unexpected I get quite a kick out of it, he's playing the standards we all (jazz fans) know but ultimately doing something different with them. That's the genius of this record. 

The Tunes
Bye Bye Blackbird
Billie's Bounce
Summertime 
On Green Dolphin Street 
C.T. (Ayler composition) 

On quite a few of these tunes a typical jazz fan who knows all these standards might say, "Well, this is a good band but the saxophonist isn't really playing the melody." In fact, what Ayler does on a lot of these tunes is use the basic harmonic framework (chords) for the tunes for improvisation of his own melodies, playing himself. His harmonies speak for themselves, sometimes shrill, a cry, this is what Baraka means when he says that free jazz is only spectacular when it stays close to its blues roots and doesn't get all intellectual. Of course I disagree because a lot of my free jazz heroes (The Art Ensemble of Chicago and other AACM musicians) are quite intellectual, even to the point of studying modern classical composers, serialism, etc. 

In a way you can only see the genius of this record is you're a free jazz acolyte. My favorite tune here is Billie's Bounce, a Charlie Parker tour de force. Even I know the head (main theme) to this tune on guitar. Here Ayler gets more straight ahead, and you can see the John Coltrane influence in his sheets of sound, long winded riffs played very fast. Its quite stunning.

As much as I like Bille's Bounce here the number one tune here would have to be Summertime, the Gershwin classic. The opening is such a blues, a wail.  I can assure you you've never heard Summertime like this before. Its a haunting, shrill cry of a saxophone sound. It sticks with you once you hear it. This is the blues. 

Another tune I dug very much was On Green Dolphin Street. I've heard this tune a million times and it always delivers with its driving melody. Here Ayler goes to Mars, almost like Coltrane's latest period stuff, he mixes 50s, early 60s style bebop phrasing with the new thing. Its my cup of tea. This particular tracks reminds me of Eric Dolphy a lot. Some of Ayler's phrasing doesn't even sound human, it sounds like an animal, like a bird, with the rhythms of frogs jumping in and out of pond.  

The Ayler original is pure free jazz at its best. No melody, no theme, mostly just call and response from the musicians. Given that this was his first original tune on a record, I would say its quite a great introduction to his music. This is where some people would scratch their heads and say,"What?"  In a way you either get it or you don't. For most jazz fans there is a fine line between straight ahead jazz and free jazz. In 1963 that line was very much quite apparent.

The rhythm section on the record is quite good. They play in a typical 1963 jazz fashion. It wasn't until later when Ayler teamed up with American musicians like Sonny Murray, Milford Graves, and Gary Peacock, that he started to develop more of the free jazz thing with a rhythm section that was more hip to his personal sound. But what can I say? These Europeans did a great job playing with an innovator. The drummer keeps time throughout the album. 

I recommend this album to anyone interested in the so-called new thing or free jazz. Or if you like Albert Ayler and never heard this particular record. Its on YouTube, and its quite good.

Thursday, March 22, 2018

More music

Here's some more music from the open jams. Its pretty crazy I have something like 24 weeks of tunes I've played at this open jam at Petie's Place, this low-key bar in Tarzana on Reseda and Oxnard. If you live in the Valley you should come check it out sometime. Anyways, here I played with the house band, we did Sunshine of Your Love (a favorite of mines) and John Coltrane's Mr. PC, a jazz standard I learned from the Real Book. Enjoy the music! Leave a comment, let me know what you think. 

https://soundcloud.com/orlando-figueroa-17/mr-pc-coltrane 

Wednesday, March 21, 2018

Jam notes I

I ended up playing with this older guitar playing friend that plays a Steve Vai Jem guitar while I used my Jackson 7-string. These are pretty much just jams we did, no songs or anything. However, this cool girl named Melinda helped out on vocals on the first jam. Lotta soul!

I think it ended up sounding pretty darn good. I distinctly remember the drummer, my good friend Jim X (from the jazz fusion band Oui3, whom I just saw at the Baked Potato on Sunday) saying that its not really a good idea to have two guitarists soloing at the same time. There are moments where it worked really well. I guess it just depends on how you do it. 

Interesting to note that I thought I was super loud, much louder than the other guitar but after listening back its the other guitar that louder. 

I've been practicing a lot of drop2 jazz chord voicings and learning a lot of rootless inversions as well. I brought my friends' bass to the shop for repairs, I gotta go back and pay them $40 for a a $100 bass, expensive for sure. Haven't had band practice for a while but hopefully we'll practice tomorrow or Friday.  

Thursday, March 8, 2018

More Jam Tracks

Got more jam tracks for you all. This was a totally impromptu jam as my drummer was out of town in Mexico and couldn't make this session. 

https://soundcloud.com/orlando-figueroa-17/soothsayer-guest-guitar
https://soundcloud.com/orlando-figueroa-17/bad-horsie-guest-on-bass
https://soundcloud.com/orlando-figueroa-17/sunshine-of-your-love-guest-guitar-and-bass

I think this version of Buckethead's Soothsayer is the best I've ever played, that guest guitar player really filled out with some nice chordal and rhythmic riffing comping, it was fantastic, he really made my solo pop out more with the emotional response, which is exactly what you need to play like Buckethead. Bad Horsie was also really well done, at some point I should bring my wah pedal so I can really make it scream like Steve Vai. Enjoy! 

September Sweater Weather

Good evening ladies and gentlemen, hello world. How are you?  It's good to be writing on a good day off work today on a Saturday. Here, ...