A Trip to the Moon

A Trip to the Moon (French: Le Voyage dans la Lune) is a 1902 French space exploration surrealist silent film directed by George Melies. The film is inspired by a variety of sources, notably Jules Verne's novels From the Earth to the Moon and Around the Moon. I've already checked out these novels in pdf form through Google and I gotta say that it is quite impressive science fiction writing for the time, 1865 and 1870. Fitting for the time of the Industrial Revolution.

The film follows astronomers who decide to build a rocket and get launched into space to reach the moon via a cannon. They explore the moon's surface and find Selenites, (lunar inhabitants) these sort of insect creatures that explode when they get hit by the astronomers. They end up capturing a Selenite and bring it back to Earth. The film features a bunch of French theatrical performers, "led by Méliès himself in the main role of Professor Barbenfouillis, and is filmed in the overtly theatrical style for which Méliès became famous." (Wiki)

The film was very successful and ended up getting pirated a lot in the United States. This movie ended up having a profound influence in cinema because of its use of narrative, through this more movies ended up developing stories more effectively. Although the movie became out of place when Melies went into retirement, later in 1930 the film resurfaced when film devotees noted its importance on the history of cinema.

"A Trip to the Moon was named one of the 100 greatest films of the 20th century by The Village Voice, ranked 84th. The film remains the best-known of the hundreds of films made by Méliès, and the moment in which the capsule lands in the Moon's eye remains one of the most iconic and frequently referenced images in the history of cinema. It is widely regarded as the earliest example of the science fiction film genre and, more generally, as one of the most influential films in cinema history." (Wiki) Now for more on the movie.

The film starts with a meeting of the Astronomic Club, where the leader Professor Barbenfouillis proposes a mission to the moon. After a bit of dissent five other brave astronomers; Nostradamus, Alcofrisbas, Omega, Micromegas, and Parafaragaramus—agree to the plan. They build a rocket in the shape of a bullet and get shot into space via a cannon. They get a little help with the rocket from the 'marines', women dressed in sailor's outfits. As they fly off to the moon the Man in the Moon watches the spaceship, and it hits him in the eye.

One they get on the surface of the moon the astronomers walk around (without the need of a spacesuit) and after a while they get tired and sleep. As they sleep a comet passes, and the Big Dipper appears with human faces in each star, "old Saturn leans out of a window in his ringed planet, and Phoebe, goddess of the Moon, appears seated in a crescent-moon swing. Phoebe causes a snowfall that awakens the astronomers, and they seek shelter in a cavern where they discover giant mushrooms. One astronomer opens his umbrella; it promptly takes root and turns into a giant mushroom itself."

Then, a Selenite (an insectoid alien inhabitant of the Moon, named after one of the Greek moon goddesses, Selene) appears but is easily killed by an astronomer, as the Selenites explode after being hit by blunt force. More Selenites appear and the astronomers get zerg rushed (reference to Blizzard pc game starcraft, insect-like aliens that come to kill you in great numbers), captured, and brought to the Selenite king. An astronomer hits the king on the head and the king explodes. The astronomers get chased as they run back to their spaceship.

As they approach the ship Barbenfouillis himself tips the spaceship off the moon and into space, while a Selenite is attached to it. The ship, astronomers, and Selenite end up in the ocean on Earth. At the ending scene we see a celebratory parade for the astronomers, the captured Selenite in a cage, and a statue bearing the motto "labor omnia vincit" (work conquers all).

The movie is quite thrilling, fun, adventurous, surreal, and perhaps even psychedelic. Running at only thirteen minutes its a great film to show to a film class, friends, and science fiction aficionados. Its the history of cinema at work. And although it isn't quite developed you could say that its still quite good for its time, 1902. This is the oldest movie I've ever seen and its great. I highly recommend watching it. If anything you should watch it so you can see where cinema and science fiction cinema comes from. Education for sure.

You can watch the film here.

Metropolis

Metropolis is a science fiction film from 1928 that's inspired by the book of the same name written by Thea von Harbou, an actress (who plays Maria, a working class prophet) in the film and also Fritz Lang's wife. Where do I start with this film? There's so much going on, much of it is open to interpretation from the viewers. Here's a basic synopsis.

The story follows Freder, the son of the city's (Metropolis) ruler and Maria, a poor worker. They try to overcome the societal differences between the poor that live beneath the city and the rich who (live above ground) wear white shirts and shorts and play tennis. The movie is said to have Communist ideas, I can see that but to me its not overtly pronounced. I see the film more for its beauty, to find that common ground between the rich and poor.

So Freder is hanging out in some sort of garden relaxing and Maria comes in with a bunch of poor kids to show them how the rich live. "Look at them. These are your brothers," Maria says. Maria and the kids get sent away but Freder follows her to a machine room. He sees an explosion that kills some workers and experiences a hallucination. In the hallucination he sees workers being fed to the Machine, a sort of Aztec sacrificial ceremony, at least that's what I thought when I saw it.

Freder tells Fredersen, his dad (and ruler of the city) but his indifference towards the treatment of the workers leaves him cold, so Freder decides to help the workers in any way he can, in an attempt to help the poor and disenfranchised. There's a lot of stuff that happens in between this as the movie is about two hours and twenty-eight minutes long but for the sake of a shorter blog post I'll summarize things more briefly.

Later, we see Maria is prophesying the arrival of a mediator who can unite the working and ruling classes together. There's a mad occult scientist who uses this machine-woman (robot) to create another version of Maria, who goes on to sow discord within the working class, creating many problems and dissent.

The workers end up destroying the Heart Machine, which the false Maria told them to do. This causes the city to flood, and all their children are left to drown unless somebody saves them. The real Maria and Freder end up saving them. The working class burn the false Maria at the stake as a witch and find out that it was just a robot, as the fire burns through to the metal. There's a fight between Freder and the mad scientist Rotwang but Rotwang ends up falling to his death. In the end Freder fulfills his role as mediator between the working class and ruling class by uniting hands with the foreman (in charge of the working class), his father, and himself, a sort of male triangular unity, perhaps even referencing the Holy Trinity, the father, son, and holy spirit.

So that's it. If you think about it and see the movie, the plot is quite simplistic. Its the ideas that go within them that's open to interpretation, which is where a lot can be said of the movie. First, I would like to point out the fact that there's a lot of science fiction based on this: the idea of a political break between the rich and poor. The poor trying to 'get whats theirs', a sort of futurist communism, although in this movie the Marxism is probably very high by today's science fiction standards, but at that time I would say its not quite as pronounced. I might be wrong on that though. So yes, the idea of social construckts, government, poor living underground, and the rich living above ground is something seen in tons of science fiction. Its quite a common trope.

Then there's the idea of love between Freder and Maria. They obviously love each other and find romance in each other. They ended up saving all the children of the underclass together, becoming surrogate parents to an entire generation. That's love for sure. One could say that Freder might have even become interested in following Maria to the Machine Room because he was interested in her, interested in a woman who wasn't from his social class. In doing this he opened up to the world around him, and found love in the process, a sense of discovery.

Then there's the ideas of science and the occult, another common idea in sci-fi. Rotwang, the mad scientist is a true screwball who planned on using the Machine-woman (named Hel) to take over Metropolis. In the scene where we first see the Machine-woman we see a giant pentagram symbol at the foot of her body. This signified a sort of luciferian procreation. Metropolis the book has more occult associations than this movie, which makes sense because its easier to do that in a book than in a movie that will be showed to thousands of people.

The science part was pretty cool. In Rotwang's lab we see all sorts of potions, tubes, lights, bells, and whistles. It was a cross between a 15th century laboratory and a science physics lab from the year 2000. Something like that. It was quite something. That was a cool scene indeed.

In the end we find that Freder has fulfilled his destiny as a mediator between the rich and poor. One could say he was swayed and perhaps even chosen by Maria to be the guy to do this. This shows us that perhaps leaders in government have to be certain kinds of people, come from certain places, have a lot of money, and perhaps be chosen for and by the people, much like the systems we have in place today for our political elections and office.

For example, if Freder wasn't the son of the guy ruling the city he wouldn't have as much power or sway over government. If he wasn't the son of the ruler Maria might not have come to him with the children. This ending gives me a lot of ideas about government and power. Can politicians come from anywhere, be anyone, and still be elected into high positions of power? I'm not so sure. I think it works in some cases and other cases it doesn't. There's a gray area for sure.

Take for example Donald Trump. He's been a media highlight for a long time and he didn't come out of nowhere. He was the son of a rich guy, thus making him rich. He started talking about government and the poor white working class of America voted him into the Presidency. It could not have happened if he didn't have those other traits: being born rich, using that money to political advantage, and using his political platform to speak to the poor white working class.

This movie makes me think about things like that, why certain politicians get elected into power. However, its probably more important to think of this movie as a great example of German expressionist art, of which it is a wonderful example.

You can watch the film here.

HEAD and HANDS need a mediator. THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!