Showing posts with label night life. Show all posts
Showing posts with label night life. Show all posts

Saturday, January 4, 2025

Things I learned From Playing Guitar Live in Los Angeles

 

So what is it like, playing shows live onstage at small bars and clubs in Los Angeles, from the guitarists' perspective? 

First, you have to realize, that playing guitar live onstage in Los Angeles is very common. There are a million guitar players in Los Angeles. Why? Because its a warm climate and guitars do much better in warm climates than in cold climates. Therefore, there are a million guitar players in Los Angeles. So, you must realize that if you want to play guitar in Los Angeles, you are competing with a million other players, many of which, may be good, very good, so-so, and/or amazing. 

So you've decided to play a guitarist in Los Angeles? Okay, so here are the next steps in your sound once you get on stage in whatever capacity: in a band, in a cover band, or in an original band, or just playing a jam session. 

Second, the type of guitar you use is important. So when you get onstage, the type of guitar you bring to the performance matters most more than anything. You need a cheap but comfortable guitar that you can play at any moment's notice. Cheap, because most bars aren't the most safest for your good gear. And comfortable because you need to be able to play very well in any moment's notice. 

Third, the type of amp matters a lot too. Let's say you're playing in a metal band. I would recommend some cheap solid state amp [digital] that you could haul easily. If you're playing country and western then you want something older like an old small tiny Fender tube amp that you can really crank up. Classic rock? Well, you could do a solid state amp [digital], or a tube amp. 

Or, there's another option. You could run the guitar through the PA, and have the sound technician turn up the guitar loudly. But this is a last resort option, only if somehow you have no amp and you must perform. 

Fourth, you as the player matter. What kind of styles of music are you more inclined to? If you're a metal player, you might play fast three-notes-per-string scales like Malmsteen or Steve Vai. If you're more blues, you might be sounding like Jimi Hendrix or Jimmy Page. If you're more country you're going to sound more like Joni Mitchell backing up Emoulou Harris. So, you, as a player matter a lot. 

Moving forward, you must ask yourself, why am I playing guitar in bars in Los Angeles? Do you need money, do you play for fun, are you trying to be famous, or are you just trying to chill and have a good time? You must have a purpose to what you're trying to do. 

However, because there are a million other guys playing guitar in bars in Los Angeles, you'll find that its difficult to make it in the business. Especially because the music industry and music business has changed so much from when I was a kid [2011] to now [2025], so you'll find its tough no matter how good at guitar you are. 

So, you'll learn that guitar in Los Angeles isn't the most necessary or important, or required instrument in bars. Because the music scene here is so oversaturated with guitar players, you'll find out that its better to be a multi-instrumentalist instead. 

Next, you'll find that you'll have to wear many hats and know how to play musical chairs. 

In conclusion, what do you have to do in order to be a musician [guitar player] in Los Angeles? This will take all of your musical abilities start from whatever age you first became attracted to music. Most musicians get interested in music around the age of 9 or 10 years old. 

So you'll find that you'll have to be a multi-instrumentalist. Most bands won't need a guitarist, so you'll have to be able to be a singer [while also strumming piano or guitar or bass or drums at the same times], or a bass player [non-singing], or a drummer [non-singing], or piano [non-singing] and you must also have the ability to be able lift heavy sound equipment for your band. 

Lastly, you'll also want good old fashioned sound engineer ability as well. For, as you see, its very complicated playing guitar at bars in Los Angeles. 

Rent-Due, Still Playing Clubs



Sunday, March 8, 2020

Punk show last night

gerry 03062020
Last night I went to a pretty sick show at the Sugar Mill Saloon. The show was sponsored by Demon Candy Promotions. I was around for three bands. All great. 

The first band was Kittenhead. They're a female-led group consisting of a white chick frontwoman singer, a black chick guitarist, an Asian chick bassist, and a white dude on drums. Talk about diversity! I actually haven't seen a band like that live before. The guitarist and bassist kept switching off instruments. They were proficient at guitar and bass, both of them. However, the Asian chick was the better guitarist. But the black chick was funkier. 

They reminded me of the 90s bands fronted by women like The Cars. But they had a more punk rock edge. The three girls sang vocals and sometimes they switched off between lead vocals. The black chick even had songs where she rapped. And she was good. And funky with her guitar playing. They weren't terrific or remarkable in any particular way. Rather, they were the perfect rock band. Perfect in the sense that you know that these musicians aren't remarkable on their own. However, when they come together as a band they are greater than the sum of their parts. Wowie zowie! 

The second band was called Rosemary Reyes. Loudest band I've ever heard in my life. The guitarist even told me outside the bar that he couldn't hear himself. "Did it sound good?" Sure did, buddy. Okay, first of all, this band is one of a kind and I will never see another band quite like it. For starters, the band is fronted by a 72-year-old woman! 

The guitarist was quite good. He was playing an old 1950s guitar, possibly a Silvertone from the looks of it. He had a Vox half stack setup. He had a great fuzzed-out guitar tone emanating throughout the place. Honestly, his guitar playing was carrying the whole band from start to finish. The old lady singing was doing a punk rock snarl throughout every song. I couldn't understand a word. It was all gibberish. So much for punk rock. BUT...the fact that she's fronting a punk band at that age is freaking inspiring. She's a true inspiration. Even though I wasn't a fan of her vocals she looked cool and even sounded cool. 

I was very impressed with the guitar player. He was playing punk rock so his guitar playing was limited to just hardcore rhythms, power chords, and open chords. He did do one solo but it was like maybe ten seconds long. But he made it sound so good. His guitar was an old 1950s model. It's quite fascinating how those old guitars from the 50s actually look futuristic like they could've been made in 2020. Those were the days. They were so loud. I've never seen a band play there that sounded so loud. It was quite good. The young drummer killed it with a lot of hardcore fills. The bassist was very good as well. Talk about fuzz tone.

The last band was Swords of Fatima. The group consists of a girl singing and playing guitar with just a drummer. Because it's just a duo it sounds more rock and roll, more visceral, more raw, more punk rock, maybe even more blues. I didn't stay for the whole set but the drummer was on point. And her guitar playing was great, especially her rhythms. 

It was late and I called it a night. A good show indeed. You can listen to these bands on YouTube but those videos aren't as good as the real, live, thing. Women in rock and roll are pretty damn cool. 

Thursday, March 5, 2020

A Hard Day's Night

Salutations. I just wanted to jot down some notes about a good open mic I played last night. I performed with my friend Jason Thomas. He's an excellent alto saxophonist player. The night started early for us. We got to the Sugar Mill Saloon bar around 10 pm. We ended up waiting until nearly 1am to perform. We had beer.

There were a lot of performers. Most of them were comedians. Terrible comedians. But there was one fat comedian who kept making jokes about how he's bisexual. Things got pretty awkward. However, he was the funniest comedian so I give that guy props. 

Eric Shaffer played a terrific set on his shiny Stratocaster guitar. He does improv with loops and pedals. He makes beats by drumming on his guitar and sliding his hands on the strings. He's quite good at it. He even wears a suit coat.

We ended up going on around 1am. There was still a decent amount of people. How the heck does this bar bring 15-20 people on a Tuesday night? Even staying till nearly one in the morning? I guess the open mic is getting popular. I used my Hagstrom Super Swede Les Paul and a bass amp. However, my guitar tone was super clean, too clean, because I plugged in my guitar in the low input jack. A female friend of mine who's also a good musician said my guitar tone needed more bite. Should've brought a distortion pedal she said, lol. Clearly, she's clueless? Lol.

In terms of my guitar tone, I thought it was good for what we were doing. Which was straight-ahead jazz. We played Footprints by Wayne Shorter and Freddie Freeloader by Miles Davis. 

Jason's tone was good per usual. You can hear him on my recordings from Soundcloud. However, a good musician friend of mine said that when he was soloing and I was comping, that it seemed like we were just getting into it when I returned back to the theme and ended the tune. It's good criticism but we also had a time limit. I was limiting the songs to about ten minutes each. We played for a considerable time. Considering.

Are you supposed to feel great after a performance? I usually feel really great after playing an open mic, and then the next couple days after. It's the one outlet I have to perform music in front of an audience. I really need to be playing in a band but I've not the organizational ability to form a band nor the time to really invest in a serious gigging band. One day soon I hope to play in a band. That's really all I need. I have the talent already.  

A lot of times after performing I critique my playing pretty hardcore. I would say that my friend Jason is a better musician than I am, certainly a better jazz musician. But I also think that because of his conservatory training, sometimes when he performs live, especially with new people for the first time, he comes across kind of stiff. But that's okay. At least our set sounded great. We've only been rehearsing for a year together, lol. 

After the bar shenanigans, a bunch of us went to an after-party at a friends' house. I usually get home safe and sound through a friend of mine. But she was in a rush to get home so I ended up sleeping over and taking off in the morning. I live a few blocks away but carrying my amplifier and wearing my guitar on my back was rough walking home today in the hot afternoon sun. I tried to get my friend to call a lyft ride for me but he claimed his phone was dead. You don't get to party all night long hard without facing some repercussions. So I guess the moral of the story is that when your lady friend checks out for the night, you should always go with her. 

And that's all she wrote.

Thursday, April 4, 2019

Purple Haze [Live]

Here's a live rendition of Purple Haze, played and sung by yours truly. With the Petie's Place open mic house band. Petie's Place is a bar in Tarzana, CA that hosts open mic sessions every Wednesday night. This is the first time I've ever done Purple Haze live. Enjoy!

https://soundcloud.com/user-294063763/purple-haze

Orlando Figueroa-guitar, vocals
Art-bass
Jim X-drums 
?-keyboard

Thursday, March 14, 2019

Jazz Duo Project

Here I'd like to share some of my recent music projects. I've been doing a jazz duo, myself on guitar and Jason Thomas on alto saxophone. We're doing standards but we're also doing a lot of free form improvisational stuff. Check out some of our music. 

https://soundcloud.com/orlando-figueroa-17/all-blues-2 
https://soundcloud.com/orlando-figueroa-17/all-blues 
https://soundcloud.com/orlando-figueroa-17/st-thomas 
https://soundcloud.com/orlando-figueroa-17/improv-1 
https://soundcloud.com/orlando-figueroa-17/funky-improv-1 
https://soundcloud.com/orlando-figueroa-17/freedie-freeloader 
https://soundcloud.com/orlando-figueroa-17/blue-bossa 
https://soundcloud.com/orlando-figueroa-17/jazz-duo-metal-jam 
https://soundcloud.com/orlando-figueroa-17/body-and-soul 

Also, we performed last week at an open mic at Petie's Place, a bar in Tarzana, CA. 
https://soundcloud.com/orlando-figueroa-17/footprints-live-at-open-mic
https://soundcloud.com/orlando-figueroa-17/all-blues-1
https://soundcloud.com/orlando-figueroa-17/blues-jam-dminamaj7-vamp

I actually thought the live open mic recordings weren't so hot when I played it. However, when I look back at it I see that there was a lot of inspired playing there. My guitar tone was especially good during Footprints, that greasy chorus-infused synthetic sound adds a lot of flavor to the modern jazz guitar sensibility. Likewise, the alto saxophone sound is unique, clean, but full of all kinds of permutations. We played especially well on the improvisational blues jam vamp, where there was an extended alto saxophone solo. The drum solo really adds a lot of momentum to the jam. It was here rather than in the two jazz standards that this impromptu band started to sound like magic.

Monday, November 19, 2018

Divison of Labor


Image result for division of labor adam smithHey, more feel good psychological and vlog-esque writing for you all. Here I'd like to go into how I started living a more positive life, and positive outlook, specifically using a 'division of labor'. How I divide my time during the day has impacted me in more ways that I would've otherwise expected. I don't follow a schedule or anything but in a sense all of my time is spent on specific things. 

Typical day before work by myself
I would wake up late but early enough to have about 4 or 5 hours before my work shift. I usually start by playing a few rounds of Overwatch, but I've also been known to play Chess lately. 

Then after that I read the news typically. It could be a short reading session or it could last over an hour, it really depends on my mood. Then I like to walk to the library and read out of a physical book for a while, just right before my work shift. Being at the library is better than being at home because at home the computer is a distraction from reading a physical book. That would be a great typical day by myself. 

Typical day before work with friends 
With my friends we always like to get something to eat. It could be cheap junkfood like TacoBell, I'm partial to the Taco Supreme 3 taco meal lately. Then we play video games, mostly Marvel vs Capcom 2 right now, an old 2D fighting game from the 90s, Sega Dreamcast days. Then we jam on instruments. We have ukulele, bass, and acoustic guitar. The other guys aren't quite there musically but I still enjoy teaching them things, they can improve. 

Typical day off
This isn't too much different from anything else really. I usually start on the computer gaming until I get tired of it, then read the news, and perhaps I'll hang out with friends before they go to work, or after they finish a shift. Sometimes I go to the bar with friends. I try to go to the open mic music nights at the local bar.

Typical night hours after 1 am shifts 
My time after a 1 am retail shift is very valuable to me. This is where I get a lot of reading done, again news, and whatever I want to read on my Kindle, which right now has been Adam Smith's The Wealth of Nations, hence the 'Division of Labor' blog post title. In a sense doing all of these things every day is a job, although I'm having fun. 

Not only do I write blog posts (and should be writing more short stories soon) at night but its also my prime slot for guitar, only acoustic guitar this late. Right now I'm learning how to play Berio's Sequenza for guitar. Because I have limited time to practice its important for me to play everyday, even if its only 25-45 minutes a day. 

But why?    
A division of time into the things I do and a sort of outline of my plans is good for me. Its like an improvised schedule, it can change at any time but at the same time its sort of like my bread and butter. Doing this division of labor has given me a more positive outlook because I have broken down all my goals and have been actively going for it. The goals are very simple-relax, read, music, work, repeat.  Losing weight is also big on my list.

Imagine a guitar player who only practiced once a week. And then picture a guitarist who plays everyday 15 minutes. The once a week guy plays 4 hours once a week. The guy who plays everyday 15 minutes would still be the better guitar player overall even after six months of playing. I've put that kind of approach to my everyday life. Do the things you love and relax, everyday.

Thursday, May 24, 2018

Open Mic Tracks from 5/16

Hello, here are my recordings from last week's open mic. We played Electric Funeral and Poachers as a guitar, drums duo with myself on vocals. 

I think we did an excellent job on the Sabbath tune considering we didn't have a bass player. It sounds pretty bad ass. Although its not perfect metric (timing)-wise I still think its pretty cool. I can do metal too, haha. Check out the tune here https://soundcloud.com/orlando-figueroa-17/electric-funeral-guitar-drum-duo

And the other tune is Poachers, a tune written by new music composer Frank Abbinanti. Here I play it with my friend Martin on drums. I was following the score and he improvised music based on what I was playing. Upon hearing it after I think we could use more practice with this one. However, Martin's drumming wasn't bad. He does pretty well when we improvise. I also like the yelling from the audience. Makes it feel like a rock concert! Check it out here https://soundcloud.com/orlando-figueroa-17/poachers-martin-on-drums

Lastly, I have something different, a jazz/blues in c featuring Jim Xaiver on drums, Mike Mitchell on distorted electric guitar, Ken on tambourine, Art on bass, and myself on clean guitar. Check that out here https://soundcloud.com/user-294063763/jazzblues-in-c
I like this one a lot because its jazz, which I love!  

Enjoy! 

Thursday, May 17, 2018

Poachers Live With Percussion

Hello everybody! Just wanted to share this new track from last week's open mic at Petie's Place. 

https://youtu.be/D-rHftwnEW8 

This is Poachers live, a piece written for me by new music composer Frank Abbinanti. It's quite avant-garde, it has its moments of melody and makes use of what I'd call "noise chords", real noisy chords. 

We played this piece last week and at the time it was quite nerve-wracking because I'd never played the piece live in front of anyone other than just by dad when I was practicing it. However, the nervousness comes out in a good way. I hit a few bum notes in the beginning but nothing that sets the piece off balance. 

Jim's drumming was quite remarkable. His fills, while keeping time in between is quite good. He played it like a real jazz drummer. My favorite band I've seen him perform with is a jazz-rock fusion guitar trio. He's the best musician I get to play with at these open mics, and its great making music with the guy. 

I do think the piece would've been cooler if that guy didn't yell "Yeah!" at the end but even some of the best classical performances are cluttered with coughing. 

Anyways, enjoy the tune!

Personel
Orlando Figueroa Guitar
Jim X Drums
Frank Abbinanti Composer

Saturday, May 5, 2018

Open Jam Tunes

Hey, what's going on everybody? Here are two tunes from last week's open jam. First we have Hey Joe, a Hendrix cover.

https://soundcloud.com/orlando-figueroa-17/hey-joe 

I did my best to cover the vocals, I'm still working a lot on my singing. When it comes to the solo I do my best Hendrix-esque guitar licks. I think I do a pretty job of keeping it in that 60s rock guitar vein. 

Surprisingly the solid state Line 6 amp used for the jams sounded pretty great here. I really like this drummer on this one. He's a guy that comes occasionally to the jams. Its funny, he wanted to do Manic Depression but when I could barely play the riff (I forgot it) we had to stop and play Sunshine of Your Love instead (laughs). 

However, I did learn Manic Depression and I'll be ready to play it the next time he's there. 

Anyways, I think that this is my best cover of Hey Joe I've ever done live, so there's that. 

And then for the next tune we have Sunshine of Your Love by the Cream, a song I've been playing at the jam for a while now. 

https://soundcloud.com/orlando-figueroa-17/sunshine-of-your-love-most-recent-version

Hearing this back now I think I've done a lot better with my vocals. Still needs work (better tone) if I want to be more professional but its not bad as of right now, at least to my ears. The Hendrixian guitar licks are plentiful and are sounding good as usual. One thing I need to work on is singing louder and with more oomph, ya know. Add some more power and energy into it. 

With this solo here I think it sounded pretty good. Not too much wankery (shredding a la guitar pyrotechnics from the 80s), focusing on hitting the good sounding notes, bending the strings, beginning, middle, end, and then back to the vocals. I like it. 

Enjoy the music! 

Sunday, January 21, 2018

Last Week's Jam Tracks III

Here are the live tracks from last week's open jam at Petie's Place, this bar I frequent a lot.

The first tune we played was Black Sabbath's Paranoid, pretty easy song right? Well, I did kind of mess up the song last week because I forgot to come in w/ some verses and instead just went into a guitar solo, then found my place back within the song. That's how you cover up a mistake folks, go into impromptu guitar solo mode! I'm still working on bringing more emotion into the singing.

Next, we played Sunshine of Your Love by the Cream. This has been like our swansong so to speak. Sometimes hearing my voice makes me cringe hard but when I hear the guitar playing I think again (lols). My vocals are definitely getting better but its still hard to get past that speaking voice to singing voice transition. Ken, the percussionist playing tambourine (and records everything for me, thank you) is really on point with his rhythm here. With him and my friend Martin on drums its like playing with two drummers. Martin takes care of fills and colour and Ken takes care of timing with precision.

The last tune we played was an improvised version of Steve Vai's Bad Horsie. I have a habit of doing impromptu versions of guitar instrumentals by shredders (check out this version of Buckethead's Soothsayer here). The melody from Bad Horsie is pretty strong here, a bluesy funky sort of melody that runs into some metal riffing. The way we did it this time I stopped playing and motioned Martin to do a drum solo. As you can hear it sounded pretty damn good. My friend Martin is really coming into his own as a rock and roll drummer. At the end I did some tapping and held a note for what seemed like eons while Martin played some crazy rolls. That's pretty cool.

Here are all the tracks, enjoy!

https://soundcloud.com/orlando-figueroa-17/paranoid-forget-the-verse-ha
https://soundcloud.com/orlando-figueroa-17/sunshine-of-your-love-latest-version
https://soundcloud.com/orlando-figueroa-17/steve-vai-bad-horsie-impromtu-jam-version

Thursday, January 11, 2018

Last Week's Jam Tracks II


Here's last week's jam tracks from Peties Places' open jam that I go to every week. Peties is this really cool bar that I've been jamming at for a while, one drink minimum, a pool table, and free popcorn, wow! Its a cool place and this is where I've met the drummer I'm working with right now, my friend Martin.

The first song we started off the set with (three song set) was Black Sabbath's Paranoid. This one we started off like a bat out of hell and it sounded great. I was pretty happy with the performance as it was the first time we've ever played the song live. I think I did a great job on the solo sounding like Tony Iommi, that pentatonic box shape man! 

Next, we played Smoke on the Water, which we've done in the past but not nearly as well as this rendition. My vocals were a little spotty in certain sections but overall I would say I pulled it off. I really enjoy the hand percussion on this piece, I think I notice Ken's sound a lot more in this particular recording. I liked what I was doing with the vocals on the chorus, giving it that more British pronunciation. This song is a long time coming with Martin, it took him a while to get the drumming down, he does a good job. The improvised guitar solo has some sections where it sounds like things Blackmore would play, but is also unique.

Lastly, we ended with Spirits of the Dead, which has been a 'cult classic hit' for our 'band' (just me and Martin). I've been enjoying posting many versions of the same song because I really like the song a lot. I wrote and recorded it on the first day of October and I was heavily inspired by black metal when I was recording it. Think about coarse singing into a microphone on the first morning of October, bad ass.

You can find the tracks below.
https://soundcloud.com/orlando-figueroa-17/spirits-of-the-dead-most-recent-version
https://soundcloud.com/orlando-figueroa-17/smoke-on-the-water
https://soundcloud.com/orlando-figueroa-17/paranoid

Check out my Soundcloud at https://soundcloud.com/orlando-figueroa-17
And my other Soundcloud at https://soundcloud.com/user-294063763

Long live rock and roll.

On AI, Existential Threat, and the Collapse

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