Metropolis (novel)

Hey! What's up everybody? Its been quiet on this page the last couple days because I've been pretty tired and I took a night off from my work (reading) so I was behind with my readings. Now I'm all caught up, as I've already finished another novel, this time Metropolis written by German female intellectual Thea von Harbou. Metropolis is also the name for the movie that was made and inspired by this book. The book came first, and the movie thereafter.

The story of the book follows closely the movie so rather than rehash what I already wrote about you can get the gist of the plot from my movie synopsis, which can be read here. There's actually not much information on this book on the Wikipedia page for it but it should be known that the end of this book concludes with Freder's father realizing that his dead wife will be with him till the ends of the Earth (she died and left a letter for him). Lets focus on the literary style and high art that is this novel.

The novel is a short two hundred and fifteen pages but the writing style can be hard to wrap your head around. This is high German art language and Thea von Harbou was quite the intellectual, you can tell by the English translation of her writing. Don't get me wrong, its not dense by any means but there's a sense that you have to really understand everything you're reading because its so highly stylized. One sentence that describes a simple thing could turn into a whole page affair but she does it in a way that you want to read more about that one thing, without making it boring or trivial. Its quite something, I don't think I've ever read anything quite like this, its a powerful novel.

The film omits references that the book made to the occult. There's tons of references and images to the occult here but because I'm not familiar with that realm I didn't see it as particularly offensive or foul by any means. I learned about some evil things I suppose but its nothing that's going to make me wet the bed at night (lol). Besides, the pentagram beside the machine-woman is pretty evil enough for 1927.

In addition, the film omits moral motivation for certain actions by the main characters. Yes, the book differs quite a bit from the movie's characters, which are more black and white. In the book the characters are much more detailed, much like real people. We don't necessarily see things as good or evil, there's all these gray areas that are quite apparent.

This book is great! I would recommend the book to any science fiction readers, women that want to get into science fiction, and people who like really old books. I liked it so much I might read it again much sooner than expected, I could see myself reading it again in a few months or so, just to see if it still has that same poetic fire and intensity from the first read through. Definitely check this book out.

HEAD and HANDS need a mediator. THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!

The Beats

The Beats: A Very Short Introduction by David Sterritt is a cute one hundred and twenty six page book about the Beatnik writers and poets from the 1950s. The lives and works of Jack Kerouac, Allen Ginsberg, and William S.Burroughs are covered with great detail in addition to Neal Cassady, Gregory Corso, Lawrence Ferlinghetti, John Clellon Holmes, Gary Snyder, and Kenneth Rexroth. I must also mention LeRoi Jones, Anne Waldeman, and DiPrima too, as they are mentioned near the end.

My dad found the short book at the library and thought it would give me a better perspective on the true Hipsters (not the Arcade Fire fans), the Beatniks, as I formed an interest and I've been reading Kerouac's On the Road, which I found out is one of the most important works to come out of this movement.

I learned that the Beats mostly came from middle class and sometimes even bourgeois background, which gave them the comfortable life, which enabled them to becomes Beats in the first place. You can't become an artist and dissident of society if you are struggling to survive or pay rent. They were mostly white males who explored with sexuality, drugs, and religion. Ginsberg and Burroughs were gay in a time where being gay could get you beaten up or possibly killed. The Beats were avid readers of Oriental religious text, and were heavily inspired by Buddhism. Interestingly enough I had a book on Zen Buddhism that I read everyday for a while until I could understand the hermeneutics  of it. I can leave the gay sex and drugs (especially hard drugs) behind though (lol).

Another important influence on the Beats was jazz music, particularly bebop. Ginsberg had a name for Kerouac's improvisational writing style where he would write and write without stopping, creating the sensation of a saxophone player blowing on the bandstand. I like that very much. I'm beginning to see jazz's influence on literature a lot more now after reading this book whereas before when I was just reading about the AACM (Association for the Advancement of Creative Musicians, a book by George Lewis) and biographies (Kansas City Lightning by Stanley Crouch), I couldn't see that correlation. But now I see that jazz has an even longer extended reach than I previously thought, interesting indeed.

I especially liked the ending of the book where Sterritt makes a bold universal claim; nearly all the movements that sprang up in recent times owe something in part to the Beats. He makes references to the Tea Party Movement, Occupy Movement, Cyberpunk (of which I am definitely apart of) Movement, and more. In a lot of ways I can see that he's right. In order for various movements to be started people have to reject society in a certain way, to create their own form of society through art, in this case through artistic literary works. It's quite wonderful.

All these writers will be legends in the future. The world won't forget them. It seems as society has become more conservative (the Reagan years and now in the Trump years) the ideas of the Beats have never sounded so universal. Sterritt says that there are Beats (in a different sense) in other countries but especially China, where there are people who are different kinds of Beats that might come to important and historical light in the upcoming years. All interesting things to think about.

Its quite a good book and if you want to learn about these great writers, their works, and the Beatniks in general this would be a great place to start. Very informative, engaging, and most importantly fun to read.

Lastly, learning all this stuff about the Beats makes me realize that most of the young people today who believe that are true outsiders are actually quite conservative conformists. The idea of young people today believing that they are 'different', 'cool', outside of the norms of society is quite wrong. Most of them will never truly be outsiders because they will never have to deal with status inconsistency. These writers did. That's the difference.

Great things are not accomplished by those who yield to trends and fads and popular opinion.
Read more at: https://www.brainyquote.com/quotes/jack_kerouac_119789

Great things are not accomplished by those who yield to trends and fads and popular opinion. -Kerouac 

Great things are not accomplished by those who yield to trends and fads and popular opinion.
Read more at: https://www.brainyquote.com/quotes/jack_kerouac_119789

Ideas for music projects

So I'm planning on buying recording equipment soon and I figured I'd write some ideas down. That's what a blog is for right? Ideas and stuff. Here I'd like to outline some ideas I have for recording and/or music styles that I want to aim at working on. First and foremost I'll mostly be recording guitar and bass and be using a drum machine for drums so the music will be limited to just those three instruments at first. Oh yeah I'll probably also be singing. I'll have to sing because just instrumental music won't work if I want to get more attention. Now onto ideas for style.

Jazz Fusion-This would be the easiest thing for me to work on because I know jazz (but am no means a master) but I know enough to write some heads, changes, and I can improvise pretty well. I actually used to write jazz fusion tunes on music manuscript paper back when I was a kid in high school. This seems like the best bet. I could have it written down on sheet music and it would be easy to show other musicians. Plus I love fusion, its what got me into jazz originally.

Black Metal-I played in a metal band back when I lived in Wisconsin but it was more of a nu-metal kind of sound. More hardcore too. Think breakdowns meet Alice in Chains. I want to play metal but metal that is less based on technique and more based on soul but still gives off that evil sinister vibe that you get from bands like Mayhem. The term black metal to me is much more inclusive because of newer metal bands. I'm particularly speaking about my favorite metal bands from Sweden (sorry Opeth) Tribulation and Ghost. Ghost has an almost pop vibe to their brand of metal and Tribulation has a psychedelic sound but retains that characteristic metal vocals. I will probably start singing and writing vocals to achieve this.

Indie Rock- So this is another style I used to dabble in a bit as a songwriter back in high school. I used to write these songs based on vocals. The vocals always came first and then I'd write the changes to the words. Pretty good way of songwriting actually. Anyways, the songs were always of a popular nature, usually critique on society in some way. Too bad I lost all those songs. I'm a huge indie rock fan so working on this kind of material would be a good fit.

EDM/Electronic-This is a style I'm interested in because it sounds good. I like all the fake synthesizer instruments and computer generated sounds. Some purist musicians think it sounds like shit (can't blame 'em) but I think it sounds hip. This would be an easy style to get into because I already have a computer and laptop but at the same time I don't know how to use the programs. Who's to say I can't find someone who does though?

Rap/Hip Hop-Another style I'm interested in dabbling in. Mostly because of the Nujabes influence. I would never rap a day in my life but who's to say I wouldn't be down to play with a rapper? Also, I like the idea of rap beat instrumentals.

I guess the important thing to consider about all of this is the fact that I have to write songs and keep doing it until I become good and then keep getting better. Long road ahead of me. I'm already a pretty good guitar player and musician but I haven't written an original song since I was in high school. I've been playing popular tunes for a long time. Its back to the drawing board-literally.

Wish me luck