Jazz instrumental Track

Here's an instrumental original track we recorded this past week. For lack of a better name, [but keeping the changes in mind], I've called it The Beautiful and Her Complications. The idea is using minor changes, resolving to major chords, and throwing in some dominant 7ths for flair, but of course, the theme is in a minor key. Enjoy. 

https://soundcloud.com/user-294063763/the-beautiful-and-her-complications 

Orlando Figueroa, Guitar
Jason Thomas, Alto Saxophone 

The Odyssey

The Odyssey is one of the best books ever. Written some 2,700 years ago by Homer, the story contains everything you'd want in a good story. In fact, it's hard for writers or story tellers in any medium not to be influenced by this monumental masterpiece. How does one go about and review the best book, one of the most original books, the most copied book? Rather than answer that I think I'll improvise and see what I can make of it. Make a go of it shall we? 

First of all, a lot happens in the Odyssey. Fundamentally this is ancient fiction, epic poetry about a guy struggling to get home. That's all it's about. But along the way, all these things happen. Where shall we start? There's a cyclops who eats Odysseus' crew-members alive. Circe, the goddess witch turns his crew into pigs, making them forget about going home. There's the sea monster Scylla, lying in wait in the wayward seas. The only way past Scylla is to just sail on past her, there was no chance of killing it. There are sirens that sing a beautiful tune, making the men go to them, and forget about going home. Zeus himself strikes a thunder bolt that hits Odysseus' ship, sending him lost at sea, alone, and helpless. 

The big question for the reader is why is all this happening to Odysseus? Well, for one thing, Poseidon is trying to stop him from getting home because Odysseus took out his cyclops sons' eye, stabbing it out with a sharp stick. Zeus himself intervenes sometimes against Odysseus but it isn't clear why. Odysseus never thought himself greater than the gods, quite the contrary. The only good thing Odysseus has going for himself is that he is Athena's champion. Pallas Athena, daughter of Zeus, loves Odysseus and does everything in his power to see that he gets home. She intervenes throughout the story, helping immensely. 

I read the Robert Fagles modern style translation from 1996. It reads like butter, meaning that it flows effortlessly. Everything makes sense. I was never confused or puzzled by anything. This is one of the better translations you can find out there. Better in the sense that its a modern take on the classic. There's no classical English phrasing or the archaic language of antiquity. Rather, this is an inspired translation based on the original Greek text. Meaning this is an authentic rendition but it's been updated to fit the modern reader's taste. All in all, this means that this is a great version of the Odyssey for your first read through of the epic. It's so inspiring that I'm already planning on buying other translations so I can compare and contrast them with this. Robert Fagles is a true master of bringing works of antiquity to the modern era. What a guy. 

On a side note if you want to read the Odyssey you should read the Iliad first. It just makes more sense to do that because the events in the Iliad happen before the Odyssey. Also, it will help prepare you for Greek mythology in a nutshell. All the basics are there in the Iliad and appear again or in different shades in the Odyssey.

Back to our plot synopsis. So the Odyssey is a man going through many trials. He even goes down to the House of the Dead on some errand, one of my favorite parts. But the most difficult trial is still at hand after that. Odysseus goes back home only to find that his palace has been overtaken by many suitors, who have been wooing his wife, trying to win her hand in marriage, never knowing if the king of Ithaca will ever return, the champion from the Trojan War This part is interesting. 

All those events that everybody knows about happen in the first half of the book. The entire second half is dedicated solely to Odysseus getting his revenge against the suitors in Ithica. Athena turns him into an old man, begging for scraps at the palace. Eventually, old man Odysseus and his son Telemachus, and two farmhands take up arms and kill all the suitors, a real blood bath. To be quite frank, it ends like how you expect it to end. With him getting him but barely making it, and taking his revenge against these suitors. He also kills the maids who were whores and slept with the suitors. The guy has no mercy. He even cuts off the ears and nose of a guy, tears off his genitals, and feeds it to the dogs! My name is reek anyone? After going through the intense violence that is the Iliad, going through this was a walk in the park. Intense violence isn't really my thing but the Iliad is a much more fucked up and violent story, showcasing the complexities of war in the most aggressive way possible. 

Lastly, what you can come to expect is that you'll see and rehear these tales rehashed over and over again. In other books like fantasy novels in particular, in video games [like Warcraft], in movies, TV shows, and even in music [Symphony X, Odyssey]. What I've learned through my fascination with epic poetry, ancient fiction is that everything you'd ever want in a story is already written. It's all either in the Bible or Greek mythology. Everything is variations of those themes. It's the job of the writer to make these variations better and more interesting. This is one of those books you must read. Even if you don't like ancient fiction literature there's something for everybody here. The fact that its a straight narrative of one man makes it a simpler story to tell than the Iliad. A lot of writers have been copying the tales here in endless variations. Of course, in the end, nothing is better than the original source.

Check out my review for the Iliad https://ofigueroamusic.blogspot.com/2019/05/the-iliad.html 

Jazz Trio Recordings

Back with more straight-ahead jazz recordings. This is a new trio that just formed today actually. I've been working with Jason Thomas [alto saxophone] for about 2 months and now Scot Sommers [trumpet] has joined the group, resulting in an eclectic trio.

We're playing standards out of the real book for now but I plan on composing tunes so that we can start to have originals as well. I plan on having the group play some open mics at Petie's Place, located in Tarzana, CA.

This is the beginning of something. I actually wanted to get a bass player rather than another horn but this is a great playing situation. Scot's style reminds me of Freddie Hubbard in Dolph's Out to Lunch. He's actually not a free jazz guy at all, which surprised me. Jason's alto playing is stellar, he was a lot more relaxed once Scot's trumpet entered the mix. Before when we were playing as just a duo, we were playing a lot more conservatively, more reserved.

On my solos, you can see where I was on the very edge of my seat, about to lose control. Sometimes its good to see that spontaneity, especially in jazz music. A lot of what we played in terms of the free form improvisational jams [not the standards], it sounded like a lot of ECM stuff I've heard. A very white kind of sound, literally. [laughs]

Enjoy the music.

https://soundcloud.com/user-294063763/all-blues-jazz-trio
https://soundcloud.com/user-294063763/first-jam-jazz-trio
https://soundcloud.com/user-294063763/footprints
https://soundcloud.com/user-294063763/freddie-freeloader-jazz-trio
https://soundcloud.com/user-294063763/second-jam-jazz-trio
https://soundcloud.com/user-294063763/third-jam-jazz-trio

Berio's Sequenzas

Berio's Sequenzas is a music book edited by Janet Halfyard but written by many different musicians. Luciano Berio was an Italian composer from of the modernist school [Cage, Boulez, Stockhausen] and he wrote these pieces titled Sequenza for different instruments. These are a series of works for different instruments that are written for the virtouoso in mind. The book has three parts: 1) Performance Issues, 2) The Compositional Process, and 3) Analytical Approaches. All the parts correspond with each other if you read it that way. 

This sort of book is very important because modernism has in a sense, died and left the building. Replaced by postmodernism, which is nothing in comparison. Now its not unheard of jazz musicians to play rap music for a living. Or for classical musicians' serious 'gigs' to be nothing but pop music gigs. However, back in the 1950s modernism was king. Once you take a look back at the past you realize how important all of this music really was: historically, culturally, musically, and emotionally. 

The section that had the most profound effect on me was the sections regarding Berio's compositional process. "For Berio and the compositional process there was always a question of what does time do?, What is duration and sound? When we experience it, what is the "now" for music." [Amazon review by composer Frank Abbinanti]

There's charts on pitch structure, dynamics, and timbral analysis, as well as performative insights. Written by the musicians who performed the pieces. There's also a lot of information regarding Berio's compositional process as well as his ideas regarding performance aesthetic. All of this had a profound effect on me while reading and upon completion. 

In a way me being a rock and roll jazz guitar player makes me a stranger in a strange land when it comes to this sort of hardcore classical [avant garde, modern] musical analysis. I've been working on Sequenza for Guitar since October but I still have a lot of work before I can actually play the piece in front of anybody. Although I don't think I completely understood everything in the book, I do think I gained a lot of insight regarding music, mainly regarding performance aesthetic, composition, and how to analyze compositions. For that, its a very valuable tool. I think I'll go back to it in due time, and try to see if I can understand parts that I didn't get or misunderstood. 

Listening to all the Sequenzas by themselves is refreshing. Music really was quite something back then. This book is set for retail price of 50 dollars on Amazon. Luckily, my music mentor, and composer Frank Abbinanti gave me a copy back in October. I didn't read it until now. I'm late to the party but I'm glad I finally read it. In some aspects, I can't look at music the same, something has changed. 

And what's changed? Perhaps everything. 

Jazz Duo

This is a track from my jazz duo project, for lack of a name yet I'll just call it the Figueroa/Thomas Duo.

Guitar, Orlando Figueroa
Alto Saxophone, Jason Thomas

https://soundcloud.com/user-294063763/jazz-duo

Jazz Improv

This is short jazz solo I recorded at my producer friend's house. It got us warmed up to recording that day. I try to play bebop with a lot of modernism and some outside free jazz sort of stylings. 

https://soundcloud.com/orlando-figueroa-17/jazz-improv-1