Showing posts with label jazz guitar. Show all posts
Showing posts with label jazz guitar. Show all posts

Monday, May 10, 2021

Live Jazz Performance May 10, 2021!

Here's a livestream performance from this afternoon, featuring Jason Thomas on alto saxophone and Orlando Figueroa, yours truly on electric guitar and effects. It's mostly improv but we also added Miles Davis' Freddie Freeloader into the mix. Thanks for listening! Don't forget to like and subscribe to my YouTube Channel. Stay safe! 

https://www.youtube.com/watch?v=BUi49tbbhRM&ab_channel=MegaFigueroa007

Friday, December 4, 2020

Balcony Concert #1

Guten tag, 

Here's a livestream from two days ago that I finally uploaded from Facebook to YouTube, where it will hopefully get more views. We performed some standards and improvisation. We did the standards Freddie Freeloader, Blue Monk, Footprints, and Body and Soul, as well as a minor blues improv and improv based on a diminished chord. Orlando Miguel Figueroa on guitar and Jason Tomas on alto saxophone. 

Thanks for listening. Don't forget to like and subscribe to my YouTube channel. 

https://www.youtube.com/watch?v=ifzXJhZ-55w

Wednesday, December 2, 2020

Live Performance 12/2/2020

This is a live performance from today, 12/2/2020, that took place from 430pm-530pm. Featuring myself, Orlando Miguel Figueroa on guitar and Jason Tomas on alto saxophone. We perform [in order], an untitled composition, Footprints, Freddie Freeloader, Blue Monk, a jam based on a diminished chord, and ending the set with Body and Soul. 

Watch the performance here, https://www.facebook.com/orlando.figueroa.3150/videos/1730748607096466

Thanks for listening and supporting our music. 

The modern improviser refuses to die! 

Thursday, October 22, 2020

Meditative Improvisational Mind

Good evening, 

I've been practicing and playing music a lot more often lately. As I've started live streaming jazz standards and improv with my good friend Jason, I've been practicing, playing, and recording much more often. It's good to be inspired. For a few years way back in 2013 I stopped playing guitar. It's good to be back in the saddle again. Here I'd like to jot down more notes on what goes on in the mind of an improvising musician. Check my first post about it here. 

But in today's post I'm going to keep things simple and talk about how to really tap into that meditative improvisational frame of mind. 

So we all know what improvisation is. It's the ability to play something, something well, off the cuff, as if you never played it before. I practice improvising most often in the form of jazz guitar. How do you improvise? It's a tricky question as there are actually many different ways to improvise but the best way for me is to tap into a meditative state while you're playing. This means that all other thoughts in your mind are turned off and you go into the present moment. The only thing that you're attuned to is your very nature; your daesein [your worldhood of the world]. 

Essentially, this means everything pertaining to you: How are you feeling that day? How is your day going? Are you happy, sad, or have no emotional attachment to anything in particular at that current time while you're playing? Is your guitar tone how you want it? Is your band mate giving you the space you need to improvise well? Did you eat a good lunch or a lousy lunch? What's the temperature in the room that you're playing in? Did you wake up early or late? Are you tired? Energetic? What I'm getting at is that to you need to be truly attuned to yourself, your world, your daesein [beingness, beingness in the world]. 

So in order for me to attune myself to an improvisational frame of mind I have all these things in mind while I'm playing. Now here's where things get interesting. Your playing is influenced by all those things listed above but it doesn't have to be. The goal is to have everything in mind but turn it all off, not rely on your old favorite licks and tricks and chords and live in the spirit of the moment. 

The spirit of the moment. This is an interesting concept. While truly improvising in the moment you will never really time to think about the future. You will mostly focus on the present moment in time which is exactly what you want in order to improvise well. Like a true jazz musician. 

The means to getting there is deeply intense and spiritual. The hard way I've learned is through endless jamming on jazz standards, free form improvisation, deep meditation, and calming the mind [with camomile tea]. Eventually, you'll get there and you'll realize that you can truly improvise. You'll play things you've never played before and continue to do so the more you tap into the spirit of the moment and enter that meditative musical state. The hardest part of turning off and tuning in is that you have to let go of your thoughts and even yourself. It's an intense experience. You must let go of attachment and suffering. But it's also soothing. 

It's a lifelong practice. The jazz giants have mostly left us so it's up to us, the younger generation to keep jazz music alive. Hopefully, a newer generation like mine can do the tradition justice. Also, keep in mind that these ideas apply to other disciplines as well, not just jazz guitar. 

Wednesday, October 21, 2020

Blues Notes #1

Hello, 

I did another livestream today. We're going to make it a weekly performance. We'll continue to do standards and improv. Enjoy the music. Don't forget to like and subscribe to my YouTube channel. 

Thanks, enjoy 

https://www.youtube.com/watch?v=1ikzDWiTXHc 

Wednesday, October 14, 2020

Jazz Music Live Stream

Hello all,

Here's a jam session from today, this afternoon. We just played improv, straight-ahead jazz style, as I know how to play it on the guitar. I've been getting more and more into jazz guitar, and Jason's alto saxophone playing has really pushed me. The key is blending in the guitar with the saxophone. 

Thanks for watching and listening. Have a great day! 

https://www.youtube.com/watch?v=dyRVeekA-yw

Thursday, October 1, 2020

October 1st, 2020, Thoughts

So, here we are, 2020, October 1st. Let me start that by saying it's a blessing all of us reading this are even alive today. As of this writing over 200,000 Americans have died due to COVID and it's expected that at least 400,000 will die by the end of the year, and those are considered "good numbers". Grim to say the least. Tonight I will jot down some ideas on life, politics, work, music, reading, writing, a little bit of everything to show some appreciation for the fist day of October. Happy Halloween folks!

The reaction on the internet today is mostly praise or disavowal of the Presidential Debate last night. Most of my Facebook feed was disavowal but you can imagine that some of my right-wing friends were praising the President. It easy to see that Trump would never condemn white supremacist groups, in fact, I believe he's only condemned white supremacy once as President, and he only did so when he was asked three times, and said it with no conviction. 

So we know that Trump is a white supremacist. We know that he likes the fact that these right-wing militia groups support him. He will use them as force if necessary to quell violence between right-wing racist groups and leftist protesters who get a little too aggressive, maybe Antifa or BLM. He would be cool with using the Proud Boys as an intimidation tactic in black and brown communities to get people to steer clear from their voting stations, so they can't vote, so they can't vote for Biden, and so they [Proud Boys] can undermine American democracy. Yes, we know all that. 

So it seems fair to say that we don't need to spend much air time on national TV news talking about how much of a racist he is and how he won't condemn right-wing white supremacy groups. Another thing we know is that most Americans are middle of the road. They aren't entirely overly left-wing or right-wing, they're mostly moderates in middle class or lower middle class. The one thing I don't get is how upset and/or surprised white people are over the, "stand back and stand by," which is a military language. 

Dear white people: 

Stop being surprised by Donald Trump. We all know what the man is about, what he stands for, and how he's corrupted every aspect of American government and organizations. That's why his cronies are trying right now to jump off the sinking ship. Former Trump supporters and government officials are trying to get Biden elected. That's very telling. We, collectively, as a nation, as a body politic need to stop being surprised by what Trump does and come together as a country to elect a real leader, in this case, Biden/Harris. 

The more airtime that Trump gets on TV and/or online news for being a "race-baiting, xenophobic bigot," the more we see that he's a disgusting monster. The problem is that's all old news. If people keep thinking like that, they'll say, "this is why I hate politics, I'll stay clear of all that shit, I don't need to vote," and that's how he will get lots of more votes because he will make good people think that politics and voting isn't for them. Obviously those people are intimidated and will be fearful about taking action by voting against him. I know lots of people like this in my friendship groups. It is what it is. 

But we have to stay vigilant. It's much harder being a good man than an evil man. Nobody ever said having a democracy would be easy. That's why we're here. 

In other news I had a great jam session with my friend Jason, who plays the alto saxophone. I'm beginning to get a better feel for jazz guitar. I realized in a simple jam that if I play a lot of simple triad [chords that are only three notes] but use a lot of inversions, that I can get that real authentic jazz guitar sound from the 50s. Instead of relying on big chords all the time I need to play more triads to play smoother and faster chord inversions. Chord inversions are the sounds of the same chords but the notes are re-arranged. On piano it's a little more tricky to play but on guitar there's a physicality to it, a formula form, if you will. It's all shapes, chord shapes that every guitarist knows, but maybe haven't played extensively before. 

Also, I've learned to tighten up my solos more. I start with a slow melody, expand upon it, get some speed in there, and end it with some more melodies. I'm beginning to tell a story with my solos, a beginning, middle, and end. Things make a lot more sense that way rather than playing everything fast. Heck, I think jazz guitar solos sound better when they're slower anyways because its more bluesy, and I think it meshes more with the saxophone if I don't shred that much, if at all. A more moderate, medium tempo for the licks gives it much more form, in my humble opinion. 

In other news, I'm about 100 pages away from finishing Tolstoy's War and Peace. This novel took so much out of me on an emotional level and a philosophical level. I thought a lot about love, misery, despair, existentialism, war, brotherhood, wife-hood, and much more. What made War and Peace so difficult for me was not the fact that its 1200 pages long; rather it was the fact that every sentence is somewhat thought provoking, every line-paragraph-page-chapter-book kept making me think a lot, more and more, even when I wasn't reading the novel. It's a powerful force. I will definitely read the book Tolstoy considers his first real novel too at some point: Anna Karenina. But War and Peace is unforgettable. Most of the readers I run into at work say that they've never managed to read it, either out of intimidation of the challenge of such a long emotive work, or possibly they think the 1200 pages much too long. The book is worth the time and effort to read it and it reveals much. I'll be sure to write my last post about it tomorrow or sometime thereafter. 

Work has been much slower this year due to COVID. In most of my years working this current job, I was working over 40 hours a week due to being the go-to guy who helps out and covers other peoples' shifts. But due to COVID the store has cut down most employees' hours so much that most of the emergency staff hired from the beginning of the pandemic have already left or quit, most of them did so after only a month or two of work. It's crazy that the company is cutting hours so much even though my store is a million dollar store [its like LAX, you'll run into everybody and anybody there] and they're doing very well there, they decided it was the time to cut hours and not give workers more pay. As for me, I can still pick up extra hours here and there but it seems like for now my hours will stay pretty low but steady. I've realized that most people are hurting from COVID, they're unemployed and relying on unemployment. Lots of them are going to food banks to get food to feed their families. The hard thing for me to do has been to find a way to live with less money and spending less money. But the more difficult problem for so many Americans is how do you find a way to live during COVID without a job? Or also, how do you find a way to live during COVID if you're working from home, stuck with your family and kids all day? There's a whole discourse to be talked about on the subject for sure.  

Lastly, its October 1st and it was 100 degrees today. Let's hear it for California! October is a great month because its right after my birthday and I've always loved Fall and Fall weather. Halloween is always a fun holiday, as it's really the beginning of the regular holidays after the high Jewish holidays. 

I end with a jest. Lucifer [Milton's Lucifer] gave rock and roll to you down at the crossroads. Happy Halloween!

Saturday, April 22, 2017

Jam Night


On Wednesday night I went to the open jam and met up with a musician that a friend of mine referred me to. We ended up playing together onstage for three songs of a pretty long length. It ended up being a great set, probably the most exciting set of that entire night. We did two tunes with my new friend on guitar and vocals based on blues changes and then we did a sort of sloppy rendition of Stratus by Billy Cobham (also done by Jeff Beck).

The tunes with the vocals were overpowered by the loudness of our guitars. We turned down for Stratus and sounded much better with less distortion and gain. In fact, my friend's comping on Stratus was fantastic. It would've been a great rendition but the bass player didn't know the song or the changes so when it was suppose to go to different riffs he was still playing the same old one. I was a little disappointed that my set didn't sound the best because every other time I've been there I play a set where I'm the only guitarist and I always play really well. Its when other people get in there when I get a lot more critical about the sound onstage and off.

I also did a short set with another guitarist and I swear playing with this guy is like pulling teeth. His singing voice is terrible and his guitar always sounds super out of tone and has way too much gain (distortion). Because he's so loud I have to turn up just to hear myself. Then we start playing and he starts playing so fast (like its a punk song) even if the song is a more laid back classic rock or blues type of thing. It was terrible. I know now never to play with that guy. He's terrible. Haha.

Even though my set with my new guitarist friend was only okay in my mind I still think it was a success because we played together for the first time and it was fun. Even if I play with bad musicians or I'm not satisfied with the performance I always learn something at every open jam. Some things to consider is that you shouldn't expect much musicality out of a bunch of bar musicians and don't take it too seriously.

However, I'm definitely gonna jam with that new guitarist friend again. He is much more of an academic musically trained musician than I am but I think I have a lot on him in terms of improvising and phrasing.

It was a good jam night on 420!

Wednesday, February 22, 2017

Jazz fusion pioneer Larry Coryell dead at 73


The other day I was scrolling through my Facebook feed and found out Larry Coryell had passed away. He died Sunday in Manhattan, at the age of 73. He died of heart failure in his hotel room. He had just been playing some shows at the Iridium in Midtown on Friday and Saturday. In this post I not only wanted to pay honor and respect to a great guitar player and jazz musician but also to shine light on his importance in the jazz and rock world.

He bridged the gap between jazz and rock in the sixties. He played on an album with John Mclaughlin, Chick Corea, and other leaders of the jazz rock fusion era that would go on to create great fusion with Miles Davis on the legendary Bitches Brew album. That early fusion record he did was an early staple of what would come later in jazz rock fusion, which would later develop into many forms. One of them being smooth jazz, jazz-funk, and more.

The other era of importance for Larry was when he did trio performances with Paco De Lucia and John Mclaughlin. This can easily be found on Youtube. In the video performances you can see Larry struggling a bit. It was drug addiction that unfortunately lead to him being replaced by Al Di Mieola for this legendary triple acoustic guitar team attack.

His most important band was a fusion group called 11th House. After that he focused on acoustic guitar. He switched off between fusion, straight ahead jazz, and acoustic for the rest of his career. Honestly I haven't heard anything new from him since I first found out about that trio acoustic guitar recording. But his musical importance in the jazz and jazz rock fusion world can't go unnoticed.

He was also a hell of a guitar player and a great jazz musician.

Rest in peace Larry. Jazz will keep on going strong thanks to great musicians like you. 

Saturday, June 13, 2015

Newer guitarists I like


    
     I don't know about you. But I used to be all about guitar players. I used to love just listening to guitar stuff before I got heavily into jazz, and then I got super into horn players, mainly saxophonists. Anyways, here are some guitarists that I really like. They're all super famous but some of them just became famous through YouTube, which is the new highlight and place to be for musicians, but guitarists especially I noticed.
     First off, I really like this guy Nick Johnston. What makes him really cool is that he plays a Stratocaster, which most instrumental guitarists don't usually play. Usually they're playing super strats or something, especially shredders. But yeah, this guy writes instrumental tunes that have a shred and jazz fusion vibe. I believe he's made a big name for himself through YouTube. He's even worked with Paul Gilbert and Guthrie Govan on his solo albums! His original compositions have a kind old jazz kind of vibe to them. Although his style is more of a modern day pentatonic runner if you will.
     Another guy I really dig and just got into is Ola Englund, who I believe is from Sweden. He's worked in a lot of metal bands before but he didn't start getting attention until he started making YouTube videos of him playing. His style is mostly a modern metal style, kind of death-metal kind of playing. He does all that chugging stuff. I would say he excels more at playing riffs and rhythm guitar rather than playing solos and shredding. He would make an excellent session guitarist for metal. Although when he does get down to a solo, he is very melodic.
     Then there's Jeff Loomis. I heard of Jeff Loomis because I heard his solo album, Zero Order Phase on YouTube. And then I proceeded to watch every video I could find of him on there. This guy shreds. He's like the modern day Marty Friedman and Jason Becker, if anybody could ever be as good as those two! Anyways, I checked out his old band  Nevermore and Jeff used to be in that band with another guitarist, Chris Broderick, who later go on to play with Megadeth. Jeff's new project was Conquering Dystopia, with guitarist Keith Merrow, but now he's moved on and is in the super famous metal band Arch Enemy. Jeff is the guy in the picture. 
     Lastly, I would have to put Tosin Abasi on this list. I really hadn't heard of Animals as Leaders until they're first album was put on YouTube. Abasi's technique is astounding and his playing is a breath of fresh air from the stereotypical death metal chugging in C# that is so popular in metal these days. Abasi uses his technique to write songs, rather than to show off. Musically its very appealing, and Animals as Leaders, his band, sounds like a progressive metal band playing jazz at times. It's great stuff. Check these guys out on YouTube!

Friday, June 12, 2015

Ideas for guitar practices

Warm up, chromatic exercises-5 min
Scales/arpeggios/sweeps/alternate picking-15 min
Study new chord shapes from Ted Greene's Chord Chemistry Book-15 min
Practice reading/sheet music from Real Books-15 min
Improvise off the changes of tunes from the Real Books-10 min
This could be a good practice if I only had about an hour to practice. In addition, I would throw in playing along to recordings, or learning songs off recordings by ear. Lastly, I would throw in writing or recording my own tunes. Guitar practice, the less you do of it, the more you suck.

Friday, January 30, 2015

The Mike Stern and Eric Johnson concert

   

     Last Sunday I saw Mike Stern and Eric Johnson at the Canyon Club in Agoura Hills. It was a fantastic show with plenty of great musicianship from everyone including bass and drums. It was Mike Stern on guitar, Eric Johnson on guitar, Anton Fig on drums, and a bassist named Chris Maresh. All of them are quite well known by musicians except the bass player.
     They opened the show up with a slow mellow jam and everything just went up from there. Mike Stern, who played with Miles Davis is the more jazz oriented guitar player while Eric Johnson favors a much faster rapid rock style of guitar playing. In some ways they don't quite mesh but somehow they complement each other in an interesting way. They all took solos on every song that was long and full of tasty licks. Anton Fig's drumming is quite incredible. He's a powerhouse but also capable of light touches here and there for the slow stuff.
     After a while you hear some of the same patterns and licks from both guitarists. Eventually they run out of ideas and they start to recollect the old ones and do variations on it like great jazz musicians. Even though Johnson is a rock guy you get the feeling that this is a jazz gig your at, not a rock gig at all, although there are great rock and funk type moments.
     The best part of the show for me was when the shred guitar hero Paul Gilbert came out and played an extended solo on one of the tunes. Paul can't play like Stern or Johnson but his playing kind of hits home in a much simpler way. He doesn't swing and he doesn't have complicated licks. He just has a soulful rock style and he's great. Paul is a very tall skinny guy and looks very much the rock guitar god with his beard and red Ibanez guitar. He's one of my favorite guitar players ever and him being there kind of made my night. Also, one of my friends was there watching the whole show with me and we had a great time. Even though he isn't a musician, he could really dig and feel the music. Definitely a show to see if you ever get the chance.

Tuesday, December 30, 2014

Link to some of my guitar playing

http://www.reverbnation.com/landofigueroaandtheelectricsaxophone

I play a Hagstrom Super Swede Les Paul w/o original pickups, instead it has a Seymour Duncan jazz pick up in the neck and a DiMarzio Super Distortion pickup in the bridge. In addition I have a Jackson Dinky DK2M with a Floyd-rose tremolo. I use a Marshall AVT-275 amplifier and Jazz Three picks. These were made a year ago.

Here's two short youtube clips as well. This was a couple years ago.
https://www.youtube.com/watch?v=SShSADxzi-o
https://www.youtube.com/watch?v=Fl_NxORSjMM

On AI, Existential Threat, and the Collapse

Good evening ladies and gents. Hope you all had a good Sunday. I wanted to write here a bit more about AI, existential threat, and the Colla...