Life, Today, Now

Hello, ladies and gents. Back at it with another update on what's been going on in the wonderful world of Figuero. Things have become a little hectic as of late but it's all a-okay for now.

For one thing, I've been switched up from late night 1am closing shifts at work to morning showings. Sometimes I start as early as 9am which is pretty insane for me, considering I've been working 430pm-1am for six years straight. It was tough closing at a retail gig all those nights but here's the kicker, I actually enjoyed it.

Most of the people I work with are fighting hard to get early morning/midday shifts, whereas me, I tried to fight back against the whole morning switch up. But alas, it seems my fate is sealed. I'm a morning guy now. 

That being said, I've officially become a normal member of society.  

Wham, bam, thank you, mam. 

As a night person you never actually get used to morning shifts.  

I'm usually pretty tired but I'll get used to the whole thing.

In other news, I've been reading a lot. I haven't been writing as much as I should be but that's mostly because I've been so tired from work, and as a result, been feeling less inspired. I am still going to finish a much better version of my memoir, as well as write more short stories, in the end, have a short story collection.

I've been reading a lot of philosophy and science fiction as of late. I just finished reading Immanuel Kant's Critique of Pure Reason. Also, I just finished John Crowley's Engine Summer, a terrific 1979 science fiction novel, a coming of age story. It's unlike any other science fiction novel I've ever read. It's not so much a story as it is a metamorphosis of character, quite brilliant really.

Right now I'm reading Kant's Critique of Judgement, his writings on art, beauty, criticism. It's quite a wonderful read. I've learned a lot from Kant. I plan on reading more German Idealism at some point soon. I'm very much interested in reading Hegel. Kant has taught me that to truly understand anything, you have to break it down into simple, easy to understand concepts, define and learn everything from that, then look at the whole as one sort of dialectic. In short, you have to be interested in everything. That's the key to being a great dinner party host, as Kant was.

Also, I've been obsessed with the Beatles for a long time now. Even though I've still been doing the once a week jazz saxophone/guitar duo I've actually been listening to more 60s rock and roll than jazz. Mostly Hendrix, Zappa, and the Beatles. You really can't go wrong with that.

I joined a band but nothing happened with the group so that's done with. It was worth a shot. At some point soon I'll get back to my book review blogs, and I'll be posting my fiction writing on my other blog, ofigueroastories.blogspot.com. That page really needs some new content. Coming soon.

An ode to my twenties

I just turned thirty years old on September 25, 2019. It's been a great life, full of peace, and love, and happiness, as Hendrix used to say. I feel like all the time spent in my twenties went to good use. I've really come into my own as a person, a man, a brother, a son, an employee, a friend. Thirty is the beginning of the next phase of life where I'll strive for success. And keep up the good stuff. However, I can't overlook the great soul searching that took thirty years. 

First of all, living in California under the tutelage of my stepfather has changed me a lot as a person. For the better. I started reading a lot of books and it turned out that I love reading. As a result of reading a lot, I've turned to writing a lot as well. As a matter of fact, I've been writing this blog for the last six years, how long I've been living out here in Cali. Not only did I take up the reading habit but I've also learned to look inwards towards myself, and become more soft-spoken, and develop an interior life away from my friends, work, and family, leading me to become more confident and more assertive.

My attitude about life has improved a lot. Work doesn't seem like a chore anymore. Rather, it is an interactive experience where I get to interact with the being, worldhood, of the world, something I picked up from Heidegger, from his philosophical opus, Being and Time. I've developed a zenlike attitude in most things. "There is neither praise nor blamed attached." 

Dad: This is all psychological but the older you get, the faster time goes. This goes without being said. It's a feeling, a dasein, if you will, [also from Heidegger, dasein, is related to "being there", "presence"] The feeling somehow kicked into overdrive over the last two days of being thirty. I've come to maturity. Not within the last two days. But over the last ten years. The sense of knowing that you don't have time to do everything you want to do in your day. Therefore, you eliminate all the unnecessary activities in your day, and you only do the things that really matter to you. For me, this would include guitar playing, keyboard playing, jamming with my saxophone playing friend, reading, writing, working, and the occasional hangout. I've figured out that I have no time for gaming really. It's just unrealistic to fit gaming into 24 hours when there are so many other more important, worthy pursuits, such as music, reading, and writing. 

My advice for youngsters: Find what you love and focus on that. Eliminate all frivolous activity. Chill with friends and make as many friends as possible. But in the end, you might find out that your friends need you more than you need them. Find solace in solitude and seek/contemplate/ruminate on silence and inner being. Read what interests you to get you into reading, then start reading everything you can: including the Western canon, philosophy, fiction, nonfiction, history, music, art, etc. Learn as much as you can. Be more patient than everyone you know. Make every interaction a good experience. On all of your bad days remember that there is still peace and love in the universe no matter how bad you have it.

An ode to my twenties. 

Guitar/Harmonica Jazz Quintet Performance

Greetings everyone! I'd like to share some tracks from last week's open mic I played at Petie's Place. I'm a regular performer there as I've played there over 40 times, over almost two years now. This was an unusual performance in the sense that I basically did a jazz set [other than Hey Joe-Hendrix] with a harmonica player. He asked to sit in with us and it turned out to be a great idea. The sound of the harmonica is like a human voice, very soulful, very human. I think my solos are becoming more melodic and thematic in a way. I'm getting a lot more confident about playing jazz. It's a rock and roll bar but its also cool being the one guy who can jazz up the joint, feel me? I wish I gave more solo room for the harmonica player, he sounded great. When he took solos I stopped playing and layed out like a true jazz performance :D
Enjoy the music.

https://soundcloud.com/user-294063763/footprints-live-at-peties
https://soundcloud.com/user-294063763/mr-pc-live-at-peties
https://soundcloud.com/user-294063763/hey-joe-live-at-peties

Jim-Drums
Art-Bass
Dave-Harmonica
Orlando-Guitar
Ken-Tambourine, Shaker

Last Week's Jam Tracks IV

Here's the tracks from last week's jam tracks from the local pub. 

The first track we played was Sunshine of Your Love (a staple of ours-me and martin my drummer friend), but this time it was performed with Jim, the house drummer at the open jam and an unknown bassist to me. The bass player is very good, as is Jim, which makes the guitar playing and singing very easy to do. I'm pretty proud of the solo I did here on Sunshine, a mix of straight up blues rock Hendrix-esque licks with a bit of shred. I like how when we ended the song I played the riff to Day Tripper retardando haha. That cowbell though! 

The next tune we played was Steve Vai's Bad Horsie. I still haven't gotten the hang of playing this so off the cuff and never practicing it with the musicians I play it with but I tried it again. Here it sounded pretty good with Jim's drumming and Bassist X's bass sound. I went for a super fast shred solo here. I really dig that melody and that metal riff. Steve Vai is a pretty big influence.

This week my drummer friend Martin couldn't make it so I played with the ace drummer Jim and this mysterious Bassist X dude with long hair and glasses, it turned out pretty well. My guitar sounded really great here, it sounds really in tune!  

https://soundcloud.com/orlando-figueroa-17/sunshine-of-your-love-cool-bass-and-drums
https://soundcloud.com/orlando-figueroa-17/bad-horsie

The Music That Delivers The Goods

I've been listening to a lot more music lately. More so than gaming. Here I'd like to talk about some of the music that delivers the goods-the emotional content, the cool riffs, the outstanding improvisation, and more.

I usually like to listen to a lot of music that I've heard before. A major part of that is that quite frankly I've heard a lot of music-perhaps too much. A lot of people my age wouldn't know most of the music I listen to. No, I'm not being condescending, I'm just stating the facts. There are people my age who don't even know Strawberry Fields by the Beatles. Sad, yes. But true. Anyways, let's talk about the music I've been listening to and perhaps provide a little insight on why I keep coming back to it and gravitating to it.

First off, Death. The brutal death metal band from Florida that came to popular acclaim in the 1990s. I was talking to an older musician co-worker earlier tonight and he said that the singer from Death (Chuck Schuldiner) was considered the great hope for metal back then. But then he suddenly died due to brain cancer. He's considered the Godfather of Death Metal and had this great voice that wasn't cookie monster vocals that you hear in pretty much every death metal group. Not only were his vocals great but his guitar playing was spot on. He could do great leads as well as phenomenal rhythm.

I've been feeling Death a lot lately because I've been feeling a little angry. I like to display my anger through my guitar playing (shredding fast neoclassical licks and playing jazz standards) but sometimes you just need that raw guttural death metal style growls to satisfy the beast within. Am I evil? Probably. Haha.

Right now I'm relaxing listening to Hendrix. Hendrix is an artist I will always respect, love, and admire until the day I die. He's literally the greatest guitar player that ever lived, one of the best songwriters, and one of the best rock and rollers. He was cooler than all the Beatles combined. His music is so bluesy and jazzy but he's also a true rock and roller. The Band of Gypsies album is the one I always listen to whenever I feel the need to listen to Hendrix. And I always like hearing Little Wing. 

Hendrix's music soothes my soul. Every aspect of the music is spiritually uplifting-if you believe in that sort of thing. It's like how Hendrix described his music, as "electric church music". It's great! I've learned a lot from Hendrix about guitar playing and what it means to be a truly great musician. I'll continue to learn from him through his music.

Next up, I'd like to talk about John Coltrane and Charlie Parker. Too very different kinds of saxophonists. Trane is a tenor sax player who went on to become one of the greatest musicians of all time. The same for Parker except he played alto.

I dig a lot of Trane's music because of how uplifting and spiritual it is. The wide range of emotions displayed through musical techniques, style, and sound are baffling but rewarding. Towards the end of Trane's career he was booed and shunned because he wasn't playing bebop and My Favorite Things. The truth is that Trane took jazz to the furthest edge that it could go-further beyond. Jazz can't go further than that. Trane and Ornette Coleman were the last revolutionary changes to come to jazz. Quite remarkable. That's why he's my favorite musician.

With Charlie Parker it's a different sort of inspiration. I'm in awe of Parker's technique and sound more so than his compositions or emotional range. He played all the best songs-the jazz standards of the day that are still popular now. I can hum a lot of stuff he played and its pretty technical but it's always melodic and catchy. His influence was so vast on jazz musicians-even me, an electric guitarist in 2016. Who would've thought, right? I can see his influence on people like Trane and Eric Dolphy too, even though those guys are totally different jazz cats.

Different moods call for different music. Who knows, maybe I'll start listening to rap sometime soon.