Tuesday, June 18, 2019

Solaris


Image result for solaris stanislaw lem book coversSolaris is a science fiction novel published in 1961 [later turned into movies in 1972 and 2002] by eastern [Polish] European science fiction writer Stanislaw Lem. It's a very thoughtful and philosophical novel in the SF genre. I would go so far as to say that this is one of the best science fiction novels I've read this year [so far]. 

The story starts with a psychologist named Kelvin. He goes up to the Solaris space station. Solaris is this planet with two suns, a red sun, and a blue sun. Scientists have been studying the place for years, coming up with all kinds of theories, that are all mostly speculation. 

It turns out that the entire planet's ocean is alive and may or may not be sentient. There's a sense of mysticism when Kelvin starts to see and experience strange phenomena on the space station. This possibly sentient ocean affects the human psyche to the extreme. For example, when he first gets there he meets his co-worker, Snow, and the guy looks like he's scared shitless most of the time, mad as a hatter. Kelvin goes into his room and becomes fearful when he sees a big black woman roaming around. Where did she come from? Who knows.

It turns out that although these scientists might be studying the sentient ocean, it is actually the sentient ocean that is studying them. The other character's experiences are mostly just alluded to. However, our main character Kelvin's experience is told first hand. 

Somehow the ocean creates a human simulacrum of Kelvin's long-dead wife, who committed suicide. He blames himself for the suicide and he can't handle the situation at all. He tries his best but by the end, the psychological trauma has changed him for the worst, forever. But perhaps it is only bad if seen in that one-dimensional view.  Racked by psychological trauma, Kelvin tries to do his job by observation and working with Snow. 

One of the main themes I picked up from Solaris is that no matter what you did in the past and what you're doing now, anything that happened in between can and may come back to haunt you in some form or another. It's basically a classic gothic horror theme in a science fiction skin. However, to just call it as such would be a disservice to Stanislaw Lem. After all, Lem amazes here. What amazes me is how he uses the idea of 'first contact', the alien being a benign ocean, and somehow turning into a thoughtful understanding of the human experience. It's very difficult to explain but Lem pulls that off in this novel.

There are other more philosophical themes as well. In the end, we have a dialogue about an imperfect god. Could this ocean be an imperfect God? After all, the God of the Old Testament was an imperfect God. He must've been because he got jealous of golden calves and demanded sacrifices when he wanted it. The dialogue mentions this. 

The great thing about this novel is that you're expecting some kind of resolution to all this madness and philosophical SF ideas. But in the end all we get is a guy who is sort of in shell shock, not unlike a soldier who experiences war for the first time. Yes, he could go back home and live a happy, normal life, but can he really? Perhaps he'll always be longing for his long-dead wife, even if his dead wife on Solaris was just an alien ghost. It will haunt him forever.  Maybe not.

My favorite thing about this novel is that it sort of reads like a madhouse. Not much really happens. Kelvin only leaves the space station to check out the ocean at the very end. It's a pure adrenaline rush in terms of the fear within the characters. I was sitting at the edge of my seat wondering what would happen next, only to find that not much happened throughout the entire thing. However, Lem makes it a rewarding experience because the way he explains everything is quite wonderful. He's a much more thoughtful science fiction writer, capable of interesting philosophical ideas. This is literary science fiction. Something like Ursula K LeGuin's The Left Hand of Darkness is literary science fiction as well. I could compare it to something like that. 

The English translation I read was a very smooth read. The book reads fast, moving along with action and dialogue. It isn't until perhaps the last 50 pages that the book is littered with tons of fancy science fiction exposition. The exposition is highly enjoyable but I found it to be my least favorite part of the book. However, I do think it was necessary to fully explain Solaris itself. Plus every great science fiction novel has to have some great exposition [imho]. The way Lem uses the end of the book for exposition is interesting. I would compare it to when a book is over but the author wants to add more information to help resolve things, an afterword if you will. This is commonplace in classic science fiction so I'm used to seeing it. 

This was the best Lem novel I've ever read and I plan on reading more of his work. Definitely read this book if you're a serious science fiction fan. Also make sure to check out the 1972 Tarkovsky movie Solaris, as its one of the best science fiction movies I've ever seen. 

Check out my review for Stanislaw Lem's novel Eden below:
https://ofigueroamusic.blogspot.com/2019/02/eden.html

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