Scalloped Neck Guitars: What Is It?

What is a scalloped neck guitar? 

Tonight at the bar I had the privilege of running into a guy who bought a Malmsteen scalloped neck guitar from a pawnshop. I asked to play it and I played it while he was on break from his performance, so I soundchecked it for him. And then later in his gig I asked for one song with the singer, who was also playing acoustic guitar. I played "Now I wanna be your Dog," with him on vocals and acoustic guitar and me on electric guitar. I took two long neoclassical/hendrixy blues solos [one in the middle of the song, and one at the end of the song] on this immaculate conception of an electric guitar. 

A scalloped neck guitar is a guitar where the neck has been 'scalloped,' meaning the wood under the frets has been shaved off and deeply cut, more like an acoustic violin, than an electric guitar. The most popular guitar player that uses, and has popularized scalloped neck guitars, is Yngwie Malmsteen, mostly known for his work in the 1980s with a short lived LA metal band called Steeler. 

Steeler was popular because of Malmsteen's fast fiery technical guitar work, using a scalloped neckboard. The guitar I played tonight at the bar, ironically, through a guy who bought it at a pawn shop for $800, was Malmsteen's guitar, probably one of his older models that was still in good condition. Enough to get him a decent amount of cash at a pawn shop. The guy might be going through some hard times or maybe he just needed some quick cash. But I digress, the guy is a living legend on the guitar. 

Moving on, so now you know what a scalloped neck guitar is. Think of it like a violin but as an electric guitar. That's it. 

Next, so if my electric guitar has a wooden fretboard like a violin, how do I play it, how does that change the sound? 

Well, for one thing, it makes the sound better in a more classical way, like a violin. 

Also, when you play chords, its way easier because the scalloped neck makes holding many notes easier, like a violin. 

However, when you play single notes, it makes playing solos harder, again because its more like a violin. 

Lastly, when you're playing it live onstage with another guitarist [on acoustic/and/or singing] the guitar is harder to hear when the sound is contrasted with other sounds [it sounds more acoustic even though its electric still] to play so you have to control the volume of the guitar more with either the volume control button knob or either by using your right hand more or less [palm muting/lighter touches and/or harder touches.

Things I learned From Playing Guitar Live in Los Angeles

 

So what is it like, playing shows live onstage at small bars and clubs in Los Angeles, from the guitarists' perspective? 

First, you have to realize, that playing guitar live onstage in Los Angeles is very common. There are a million guitar players in Los Angeles. Why? Because its a warm climate and guitars do much better in warm climates than in cold climates. Therefore, there are a million guitar players in Los Angeles. So, you must realize that if you want to play guitar in Los Angeles, you are competing with a million other players, many of which, may be good, very good, so-so, and/or amazing. 

So you've decided to play a guitarist in Los Angeles? Okay, so here are the next steps in your sound once you get on stage in whatever capacity: in a band, in a cover band, or in an original band, or just playing a jam session. 

Second, the type of guitar you use is important. So when you get onstage, the type of guitar you bring to the performance matters most more than anything. You need a cheap but comfortable guitar that you can play at any moment's notice. Cheap, because most bars aren't the most safest for your good gear. And comfortable because you need to be able to play very well in any moment's notice. 

Third, the type of amp matters a lot too. Let's say you're playing in a metal band. I would recommend some cheap solid state amp [digital] that you could haul easily. If you're playing country and western then you want something older like an old small tiny Fender tube amp that you can really crank up. Classic rock? Well, you could do a solid state amp [digital], or a tube amp. 

Or, there's another option. You could run the guitar through the PA, and have the sound technician turn up the guitar loudly. But this is a last resort option, only if somehow you have no amp and you must perform. 

Fourth, you as the player matter. What kind of styles of music are you more inclined to? If you're a metal player, you might play fast three-notes-per-string scales like Malmsteen or Steve Vai. If you're more blues, you might be sounding like Jimi Hendrix or Jimmy Page. If you're more country you're going to sound more like Joni Mitchell backing up Emoulou Harris. So, you, as a player matter a lot. 

Moving forward, you must ask yourself, why am I playing guitar in bars in Los Angeles? Do you need money, do you play for fun, are you trying to be famous, or are you just trying to chill and have a good time? You must have a purpose to what you're trying to do. 

However, because there are a million other guys playing guitar in bars in Los Angeles, you'll find that its difficult to make it in the business. Especially because the music industry and music business has changed so much from when I was a kid [2011] to now [2025], so you'll find its tough no matter how good at guitar you are. 

So, you'll learn that guitar in Los Angeles isn't the most necessary or important, or required instrument in bars. Because the music scene here is so oversaturated with guitar players, you'll find out that its better to be a multi-instrumentalist instead. 

Next, you'll find that you'll have to wear many hats and know how to play musical chairs. 

In conclusion, what do you have to do in order to be a musician [guitar player] in Los Angeles? This will take all of your musical abilities start from whatever age you first became attracted to music. Most musicians get interested in music around the age of 9 or 10 years old. 

So you'll find that you'll have to be a multi-instrumentalist. Most bands won't need a guitarist, so you'll have to be able to be a singer [while also strumming piano or guitar or bass or drums at the same times], or a bass player [non-singing], or a drummer [non-singing], or piano [non-singing] and you must also have the ability to be able lift heavy sound equipment for your band. 

Lastly, you'll also want good old fashioned sound engineer ability as well. For, as you see, its very complicated playing guitar at bars in Los Angeles. 

Rent-Due, Still Playing Clubs

Things I learned From Shows in Los Angeles

Letter from the composer: [sends me chords to play on piano]

Me: Thanks, I'll check them out. 

Happy New Year. Kind of bummed out with a work situation at the moment. But the music is keeping me going. The last couple nights I've been going to shows at the bar and figuring out how the sound technician gets all the sounds. I figured it out. 

There are monitors, subwoofers inside the bar on the top of corners on the ceiling. 

The owner only wants the sound tech to only use the brand new [digital equipment]. But he doesn't want to because he likes a more traditional system. 

The owners says the traditional system is too loud. So he can't use it every night. So he's been loading different equipment [a more fancier analog system] all by himself for different nights in a large SUV style van. Not good because the guy is 64 years old. 

The answer to this dilemma is that he must use a smaller sound system for each and every night. But he doesn't want to because he wants to do what he wants, and is reluctant to do anything the owner says because they've been working together for a long time and they have some sort of dispute about it. 

However, the sound technician showed me the older more basic [analog log system that's very small] and I saw that everything that it had was acceptable and could work within the small confines of a small local Encino bar. 

So, you find that the sound systems used to record music are not important at all to the sound of the recording. 

Rather, it is the direction of sound that is placed or pointed at the audience that determines the sound more than anything else. 

In conclusion, theoretically speaking, you could record a classical music album on an iphone 12. 

Keep in mind, this guy used to run sound for Black Flag.

Happy New Year!