Saturday, January 4, 2025

Things I learned From Shows in Los Angeles

Letter from the composer: [sends me chords to play on piano]


Me: Thanks, I'll check them out. 


Happy New Year. Kind of bummed out with a work situation at the moment. But the music is keeping me going. The last couple nights I've been going to shows at the bar and figuring out how the sound technician gets all the sounds. I figured it out. 

There are monitors, subwoofers inside the bar on the top of corners on the ceiling. 

The owner only wants the sound tech to only use the brand new [digital equipment]. But he doesn't want to because he likes a more traditional system. 

The owners says the traditional system is too loud. So he can't use it every night. So he's been loading different equipment [a more fancier analog system] all by himself for different nights in a large SUV style van. Not good because the guy is 64 years old. 

The answer to this dilemma is that he must use a smaller sound system for each and every night. But he doesn't want to because he wants to do what he wants, and is reluctant to do anything the owner says because they've been working together for a long time and they have some sort of dispute about it. 

However, the sound technician showed me the older more basic [analog log system that's very small] and I saw that everything that it had was acceptable and could work within the small confines of a small local Encino bar. 

So, you find that the sound systems used to record music are not important at all to the sound of the recording. 

Rather, it is the direction of sound that is placed or pointed at the audience that determines the sound more than anything else. 

In conclusion, theoretically speaking, you could record a classical music album on an iphone 12. 

Keep in mind, this guy used to run sound for Black Flag.


Happy New Year! 

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