New Horizons, Incoming Labor Day Weekend

 

Hello world. How are you doing? It seems like the world has changed so much since even the last post early this month about the novel Three Body Problem. I was reading a lot of novels nonstop. In fact, this year, since January, I've read 25 novels. In addition, I've started using ChatGPT consistently. I try not to  use it as a crutch for writing and/or actual ideas I have but rather as a sort of backup/double check on certain things. 

For example, today my friend came over and was having an issue connecting his laptop to the internet web browser, and I asked it a few questions about possible fixes and troubleshooting. I also use it for questions about novels and albums of particular jazz artists and Zappa albums. It's gotten to the point where I'm using it more than google, which is downright fascinating but I'm aware that I'm becoming attached to it a bit too much. For example, I wouldn't want to use ChatGPT to write this blog post. That would be a bridge too far. 

Moving on, what I'm mainly posting about today is more about a change of seasons. I moved on from my retail grocery job of twelve years and am now working at a thrift shop. It's not a glamorous job but it is a big change and there is room for advancement into management in the future. Pay is what the market will bear but the hours are reasonable and usually I get home around 9 pm. That is a huge plus for me because at the grocery job I was working till 1 am nearly every night for twelve years. So there's some good change here. 

In addition, the place is small, only has a few employees [but will be hiring more soon], and you answer to one main manager, and another bigger manager above him. My coworkers are very nice and they've done their best to train me my first two weeks so far. There's still certain things I need to go over and really get down better but overall I really like the work. There's a cashiering element to the job but it's not as intense as grocery store cashiering. There's a daily nightly report that gets emailed to the bigger manager that I have to learn to write faster and get down better. But overall, it's a job, with opportunities for advancement, and because it's not a glamorous job, I think there's safety there. 

Also, I think I lucked out with this job because right now the job market is cooked, as Gen Z says. There was a report in the nytimes about how this past month, in New York there was only 1,000 jobs added, which is insane, because I think there are more people in New York than in LA, so we're probably not doing too well with adding and filling jobs in LA either. 

Moving on, I got laid off from my grocery store job back in January, around the beginning of that month. Keep in mind that I didn't quit or want to leave. They sort of forced me out, a sort of forced being laid off. So I've been unemployed for seven months. It was a rough period. I would say it was second worst time of my entire life. I went through a lot of severe depression and had constant nightmares. For about three of those months I could barely get out of bed.

My daily routine consisted of getting up as early as I could, cleaning up, looking/applying to jobs online, going to places in person and handing out my resume and asking if they're hiring [which most managers didn't really appreciate], and getting tons of rejection emails. Out of about 65 jobs, [15-20 of them being the same job applied to more than once over a period of a couple months], I got four job interviews, went to three of them, and got the fourth one at this thrift store. Don't get me wrong, I wanted to stay in retail grocery because that's my primary job experience but it just didn't work out. In fact, the first three interviews were all at grocery stores, and I think I would've been a bit happier at a grocery store but again, it didn't work out. So this is the next step going forwards. 

Lastly, as the job market, economy, government, immigration system, and healthcare system collapse all around me, all I have to say is that as bad as those seven months being unemployed were, it actual wasn't as bad as it could've been. I had some savings to buy food and live on. I've spent a lot of money on that and want to replenish some of my savings with this new job. But more importantly than saving money or having money, I think right now just having a job is more important than ever. 

I don't want to be all about doom and gloom but the system is collapsing. It has been for a while but most people are in denial about it and the government/news never say that we're in a bad depression right now. I think its a lot worse than it looks. There was a shooting at a Catholic school yesterday that ended with the loss of two young lives, that shook the nation. I don't think it will get better and I don't think there will be gun reform as a result of this incident. 

In the worst of my moments being unemployed I seriously thought about giving up my groovy lifestyle in California to go back to the Midwest and live with my Mom, and help her out, especially now that she's getting older. With the way things are going for me here, I still might do that in the end. I've found that people I knew and know here in California were nice people at the time and we might have been friends for a while, but not every friendship lasts. I happen to think that the friends I made out here in California are much more narcissistic than my friends from the Midwest. Not only friends but a lot of managers at the retail grocery job were narcissistic as well. It kind of makes you wonder if there's something in the air here in California? 

Watch this space.    

Liu Cixin's Three Body-Problem

 

The Three-Body Problem took the western science fiction world by storm when it was translated from Chinese into English in 2014. Liu Cixin not only wrote an amazing science fiction [and he's the most critically acclaimed Chinese science fiction writer] novel but the novel is also the first eastern novel to earn the prized historic Hugo Award [the best award for science fiction novels], thus becoming a bridge between western and eastern science fiction. 

The Three-Body Problem challenges the western conceptions of science fiction, thus introducing us to different ways of seeing science fiction writing, and showing us how very different the idea of Chinese science fiction can be. Science fiction from different cultures are all very different. British science fiction, French, Polish, German, Russian, and American science fiction are all different, well, Chinese science fiction might even surprise us even more than all of those, simply because we, as westerners have never read any Chinese science fiction. 

Keep in mind that I'm an avid science fiction reader, having read all the golden age science fiction short stories [starting with the 1950s stuff], and all the important sf writers of the 60s, 70s, and 80s. And The Three Body Problem is much different from all of that. This book is great because it is different, it introduces us to a new cultural genre. The Three-Body Problem is just the first part of Cixin's series, there are two other books in this series after, The Dark Forest, and Death's End. 

The story begins with the Chinese Cultural Revolution and follows with protagonist Wang Miao's investigation in a list of suicides. There's this mysterious video game where you have to wear a haptic suit and its virtual reality. The game is connected to an alien civilization facing extinction. The story takes place throughout different points in space and time that keeps the readers engaged to the end. The characters in the game have to dehydrate their bodies in order to survive these great periods of draught and darkness, a unique feature of the game. 

There are a lot of hard science elements. Liu Cixin is an engineer, uses complex astrophysics in an accessible way for the modern average reader, in order to dive deep into the philosophical nature of man's place in the universe. The novel explores how first contact with aliens would go, alongside the ethical dilemmas if Earth was destroyed by the aliens or other humans. 

The story opens with the turbulent violent era of the Chinese Cultural Revolution, which is much different from the western American Cultural Revolution of the 1960s. However, because of the history of America's Revolution in the 1960s, we can see/compare/contrast that with the Chinese Cultural Revolution and learn something from it. There's a deep Chinese cultural connection to this novel that transcends most Americanisms in American science fiction. Liu Cixin loves China, and its easy to see that even from the first page's violence of the Chinese Cultural Revolution, which, by the way, gets you hooked right in from the get-go. We can learn from the way Cixin uses the Chinese Revolution as a way to explore deeper elements of science fiction in an emotional way. 

The book is very strong from the get-go. It keeps your curiosity high and the element of the virtual reality video game is sort of like an anime, another eastern import. The only weakness I can see here is that the English translation may or may not be as strong as how the book really is in Chinese. A lot of people have critiqued the translation and said that it feels wooden, but I think this is how Cixin actually writes and sounds. He wouldn't have wanted a wooden translation put out into the west, and The Three-Body Problem would not have earned a Hugo Award if the translation was off. 

However, I do think that because some of the elements of science fiction aren't your traditional hard American/western science fiction elements, I do think some people will simply not like it. But it's their loss, as the book shows you how different and how great Chinese science fiction can be. While Western science fiction often frames humanity as exceptional and destined for the stars, The Three Body Problem humbles us with cosmic indifference, suggesting we may be merely insignificant players in a universe governed by forces beyond our comprehension or control.

Eliot's Renaissance Tempest: Romola's Moral Crucible

 

First, it may be surprising that, George Eliot, famous writer of 19th century English novels wrote one novel about the Renaissance period. Romola is George Eliot's fourth novel, a significant departure from all her other novels. Romola is set in Florence in the 15th century of Niccolo Machiavelli, [he's a minor character in the book], during Christian religious leader Savonarola's rise. 

George Eliot took meticulous notes on the Renaissance period for this novel and dives in deep to explore the themes of humanism and psychological human struggles. This is most likely Eliot's most intellectual novel, whereas her more popular books like Middlemarch and Mill On the Floss focus more on the intimate social realism of rural England in the 19th century, the core of all her writing and style. However, for the curious western canon reader, this book is not only important, but is a must read.

Second, Eliot uses the world of 15th century Renaissance Italy as more than a backdrop, it is a protagonist, the city itself comes alive almost like a character. This is one of Eliot's strongest stylistic writing skills. The political machinations of the city have it come alive like a person. The Medici's versus republicans, artististic ferment, impassioned religious leaders [Savonarola], and the passion of learning, ambition, and decline. The setting is important for the characters because it helps to explore the themes of humanism, faith, individualism, and communal duty. 

Third, Romola's journey from naive helper-scholar to her blind father to adept Holy Madonna is not only inspiring, it is downright transformative. Romola is one of Eliot's most well thought out characters, like Tito, her husband. Her duties were initially to help her blind-scholar father, her god-father, and her husband Tito, who she marries, but along the way she finds herself in struggle and contradiction. As every powerful character in Eliot's novels, she has to make tough decisions in order to find meaning in her life. She might be the most powerful and transformative character in Eliot's writings. 

Fourth, Tito Melema. Tito is a remarkable villain and, one of the best villains in Eliot's work. He's good looking, tall, dark, personable, intellectual, ambitious, but he's also backstabbing [marrying a peasant girl behind Romola's back and having two kids with her], he's so ambitious to the point of getting too involved in the internal politics of Italy [thus garnering him enemies], he backstabs his father who adopted him as a child, and because of that, his father ends up getting his revenge. Tito's Father's revenge is ultimately satisfying although not quite as action packed as one would think it would be. Most writers will never be able to write a better villain. If Romola represents Life and Holy Goodness, then Tito is Death and Intellect. 

Moving on, Savonarola plays a big role in the stage because of his strong religious fervor and influence. He's reacting against corruption of politics and the church, offering a powerful vision of moral renewal in Florence, Italy. You could say that because of Eliot's ideas on religion, she always has strong ideas of religious characters, ideas, and influence. You can say that she never has anything bad to say about religion. The role on religion on Romola is immense, to the point where in the end she finds a village suffering from the plague, and she ends up helping and saving a lot of them, thus becoming a Holy Madonna. 

Finally, putting it all together. Eliot's dense, allusive, descriptive, intellectual writing style in a psychologically penetrating prose style is what makes this book an amazing read. She's able to successfully and accurately use historical notes and detail without losing the narrative flow or psychological state of the characters. Her characteristic philosophical concerns are explored through this unique renaissance prism. The novel is considered Eliot's least popular novel and it was received with mixed reviews, but reading it in 2025 feels as fresh as a daisy, and I believe its a must read for the western canon list. 

In conclusion, like many historical novels of the western canon, this novel has epic scope. When the fires of belief and lightning of new ideas clash across Renaissance Florence, testing one woman's soul as kingdoms fall and fanatics rise, George Eliot's Romola forges a story so powerful it echoes through centuries, standing forever as a towering testament to how we hold onto what's true when the whole world shakes. The novel begs to ask the question, "How do we find meaning in our lives?" You could say that is what every George Eliot novel is really about.